Honours Dissertations

ABBENE, Sidonie Gabrielle
Sade and Surrealism: the crucifixion of Christ in 'L'Âge d'Or'

ACTON, Thomas A.J.
Louis Michel Thibault and Anton Anreith: unequal partners in refining Cape Dutch architecture in the late eighteenth century

ALBER, Gabriella
The architecture of the cloister: its origins, development and outcomes

ALDERSON, Margaret
Hand and machine: a study of the furniture and ideas of Gordon Russell

ALEXANDER, Rosemarie
David Mach, Sculpture 1977-87

ALLSEBROOK, Vicki R.
Form and meaning in the work of John Salt

ANDERSON, Judith
Mansioun Place and Fortilice: some observations on the changing design and function of two post reformation tower houses

ANDERSON, Laura
An evaluation of Ralph Steadman's cartooning in the context of its social commentary: intellectual pretensions and artistic possibilities

ANDERSON, Ronald
Whistler: the unexplored Irish factors

ANDERSON, Virginia
Muirhead Moffat and Co., a firm of antique dealers and cabinet makers

ANDREW, Heather
The late medieval Apocalypse

ANGELO, Amy
Business Funding of the Arts

ANJARI, Joher M.
The development of the North Haugh, St Andrews 1960-1970

ARBUTHNOT, Arabella E.
Philip II and Titian: The Religious Works

ARCHDALE, Laura Grace
The interpretation and appreciation of Pablo Picasso's newspaper papiers- collés of 1912

ARCHETTI, Giulia
Biblical suppers in Brescian painting, circa 1513-50

ARKELL, Peter H.
The John W. Blyth Collection

ARMSTRONG, James
The early development of Robert Delaunay, 1909-1914

ARTHUR, Benjamin
William Blake: Illustrations for the poems of Thomas Gray

ASCOTT, Richard K.
Nineteenth century Russia and the Fairy Tale Finnish

ASHBY, Charlotte E.C.
The phenomenon of the Finnish National Style: architecture and national identity

ASHTON, Annie
Bounty, beauty and blood: breast imagery in Italy from the late Middle Ages to the High Renaissance

ASPINALL, Katherine Lorna
The Chain of Influence: The dissemination and development of juxtaposed opposites in relation to Alfred Jarry, Pablo Picasso and Alberto Giacometti

ATKINSON, Sarah
James Ensor's 'The Entry of Christ into Brussels'

AUSTEN, Sarah
Ebenezer MacRae's use of European advances in the Thirties to improve Edinburgh Council Housing

BAILEY, Sarah C.
The Lady Lever Art Gallery: Lord Leverhulme's taste for the elaborate in British art

BAILLIE, Rebecca
Grace Pailthorpe: in theory, in practice and in paint

BAINBRIDGE, Katie
The influence of the vernacular tradition on the chair designs of Charles Rennie Mackintosh

BAKER, Jennifer
The designer Duchess

BAKKE, Annabel
From court to the office: The influence of art and society on women's fashion through Worth, Poiret, Vionnet and Chanel

BALL, Victoria
The architecture of John Bridgeford Pirie and Arthur Clyne, Aberdeen

BAMFORD, R.F.R.
The minimal infinity: the role of seriality and the repeated module in Minimalist sculpture

BANISTER, Diane
The Calendar illustrations of Tiberius BV

BANKS, Simon
The use of literary sources in iconology: a case study in the writings of Edgar Wind

BANNEN, Joseph
The emergence of a critical tendency in Black art in Britain

BARCLAY, Steven
The influence of Cubism on the painting of Marc Chagall

BARKER, Hugh P.
Brassaï: the flâneur as photographer

BARKLIE, Julie
Castle Coole: James Wyatt's achievement

BARNES, Elizabeth
Practical Equipment Limited's Nesting Chair: design in mass-produced seating

BARNES, Lynsey Elaine
An analysis of the key themes and context of the work of Kathe Kollwitz

BARROS D'SA, Angelina
The importance of Karelian myth and nature in the tangible expression of national identity in late 19th/early 20th Century Finnish architecture and the arts within

BARTLETT, Emma
Cliveden: A biography of a country house

BARTON, J.J.
The influence of Ludwig Wittgenstein on Joseph Kosuth

BARTTELOT, Emma
The gift of twentieth century connoisseurship to an Elizabethan country house, at Parham Park in Sussex'

BATEMAN, Alexandra
Revolution and representation: How does Daumier's use of caricature affect his lithographs?

BATTERSBY, Harriet
Ann Macbeth: teacher, artist, entrepreneur

BAYLESS, Davina
The Viewer and Interactive Art. A Critical Study of the Relationship between Digital Art and the Receiver

BEAN, Mary Brittney
In Love and War: An analysis of Roy Lichtenstein's comic strip images from 1961-1965

BEAUFORT-SPONTIN, Pauline
A brief story of private collecting: The Thyssen-Bornemisza Museum and the Guggenheim Museum in Bilbao: Two collections and their impact

BECK, Kirsty
Aspects of iconography in the Liber Floridus

BECKE, J.G.A. von der
Aspects of the development of Cupar

BELK, Tim
The avant-garde: politics and art, the Russian example

BENGE, Sophie M.
Hans Haacke: the politicisation of art

BENNING, Juliet
The Compelling Blue: water in fashion photography

BENSAAD, Samia
The influence of the secular female icon on 20th century post-war society

BERRY, George
Decimus Burton: Classical architect or perpetrator of picturesque taste (paying close reference to Tunbridge Wells and the South East of England)

BEYDOUN, Hadia
'The richness of nothingness': Matisse's 'Odalisque a la Culotte Rouge' in context

BILSBOROUGH, IAN C.
The Cardplayers: a study

BIRCHER, Alice
Furniture in East Sussex 1600-1740

BLACK, Lesley
Allan Davie: The Search for a Universal Language

BLACKETT, Rose
George Aitchison: Lord Leighton's architect

BLACKWOOD, Jonathan
'The Geometry of Natural Structure': An analysis of Henri Gaudier- Brzeska's 'Bird Swallowing a Fish'

BLAIR, Celine
James Clelland

BLAKE, Nick
The work of George Bullock in Scotland: A catalogue

BLANCHFLOWER, Melissa
The Bed in Art. The bed as a symbol of life: installation, painting and sculpture in the Post-Rauschenberg era

BLAND, Sarah Helen Claire
The Architecture of Lowther Castle

BLAQUIÈRE, Sarah M.
The personal and the political in Roy DeCarava's Photographs

BLATHERWICK, Clare
Naturalism in the work of Peter Carl Fabergé

BLEASDALE, Olivia Jane
Atrocity into Art: To what extent can the photographs from Abu Ghraib be considered Art?

BLOXHAM, Rachael
The Dacre Beasts: A critical analysis

BLOY, Caroline
A reassessment of the symbolism of the Palazzo del Te

BODDY, Samantha
Richard Rogers and the Lloyd's Building

BOMMER, Gretel
Georgia O'Keeffe's Flower Paintings

BONELLO, Michael
Taboo or not Taboo?

BOREMAN, Caroline
Erskine Nicol, ARA RSA 1825-1904

BOSTOCK, Joanna
The Red Light Area of 'Heera Mandi' depicted by Iqbal Hussain

BOUCHER, Vanessa
Depicting the Divine and the Demonic: Investigating the influences of the patronage circle, theological environment and social surrounding of Hieronymous Bosch

BOWDLER, Anna Klara
Karin Larsson: A Story of Timeless Elegance

BOWEN, Sian Helen Lucia
An iconographic study of the 'Second Coming of the Lord' in the Chapter House of Westminster Abbey

BOYD, Fergus P.P. McN.
Discuss Jack B. Yeats as a political painter

BOZSAN, Judit
Two paintbrushes, one soul: Béla Kádár and Hugó Scheiber in Berlin

BRADBURY, Justin
Echoes from the past: St Aldhelm and Malmesbury

BRADFORD, Jennifer N.
Points of Departure: developments in American Art criticism since Greenberg

BREEN, Eileen
Painters, pageants and populace: a discussion of the art and artifacts of Scotland produced on the occasion of the visit of King George IV to Edinburgh,August 1822

BRETT, Rachel
'Brilliant imagination and poetic feeling': the art of J.A.Terry

BRICKLEY, Christopher
Odilon Redon, the last throes of innocence: the graphic art, early years1840-1879

BRIDGEWATER, Christina
August Macke: decoration or vision?

BROADBRIDGE, Jemima
Paul Nash and Poetry

BROOK, Peter
Situationist contradictions in practice

BROOKS, Loura
The relation of text and image in British Library MS Cotton Nero A X

BROUGH, James
Mark Wallinger: elitism and the horse in contemporary British culture

BROWN, Catherine E.
The architecture of domestic arrangement 1670-1900. A study of three houses in the Welsh Marches

BROWN, Hayley
Five paintings by Gustaver Klimt: questions of belonging

BROWN, Josephine
The Domestic Conservatory 1800-1852: Its Orgins and Development

BROWN, Rowan
The Evolution of Taymouth Castle

BROWN, Sarah
Photography, reality and the American dream: William Klein's New York photographs, 1945-55

BROWN, Victoria
The architectural development of Elie and Earlsferry c.1850-1920 with special reference to the contributions of Thomas and John Currie

BROWNLEE, Victoria
Women and art in the Pre-Raphaelite Circle

BRUCE, Clare
Sir Cecil Beaton's treatment of women in his photography for 'Vogue', 1928-1979

BULMER, George R.H.
Changes and additions to the Norman Abbey Church of St Peter and St Paul, Dorchester-on-Thames

BURDGE, Jessica
Thoms and Wilkie: Dundee architects

BURGESS, Robert
Chartres Cathedral: the Ascension Tympanum of the Portail Royal and its origins

BURGOYNE, Katherine H.
John Brown: A forgotten artist

BURNET, J.R.W.
The stylistic development of the architecture of Sir John Burnet

BURNS, Kirstin
Innovation and nationalism: The themes inherent in the stained glass designs of Stanislaw Wyspianski

BURROW-GOLDHAHN, Amber
The contemporary holocaust memorial and aesthetics: a discussion of Rachel Whiteread's 'Memorial to the 65,000 Murdered Austrian Jews', Vienna and Peter Eisenman's 'Memorial to the Murdered Jews of Europe', Berlin

BURROWS, Susanna
Gauguin's Tahitian paradise: Paul Gauguin and his Tahitian paintings

BURTON, Robert
'The Poisonous Honey of France' The art of Harry Clarke (1889-1931) in relation to Symbolism and Fin-de-Siècle

BUSHELL, Sarah
The theme of dance in John Duncan Fergusson, Eric Robertson and Henri Matisse

BUTCHER, Rosemary
Fifteenth century Italian drawing: function and form. A survey of the drawings of Benozzo Gozzoli

BUXTON, Deborah
Sir Edwin Lutyen's 'Little Thakeham', 1902

BYRNE, Paul
St Stephen's Chapel, Westminster

CACANAS, Lucy J.
Official War Art in the First World War, 1914-1918: an investigation into the ideological and moral response of Christopher Richard Wynne Nevinson and Paul Nash

CAIRNS, Caroline M.
Scottish National Identity: Is it true to say that Scottish artists revel in 'Miserabilism'?

CALDER-POTTS, Charmaine
Hughie O'Donoghue and a Contemporary Construction of History Painting

CAMERON, Camilla
Anne Forbes, 1745-1834: 'Paintress from Scotland'

CAMERON, Elizabeth Hadley
An Analysis of Florence Henri's Aesthetic Influences and Personal Compositions

CAMERON, Iseabail
Influence of Cubism on Malevich's post-Neoprimitivist paintings, 1912-15

CAMMELL, Harvey
Struggle and achievement: an analysis of Hororé Daumier's paintings

CAMPAIGNE, Lauren Kendall
The Reddick Mansion: William B. Olmstead and Peter A. Nicholson, architects 1876-1878

CAMPBELL, Andrew
The Starn Twins: an examination of their work, 1982-90, and its rejection of photographic convention in the subjugation of the image, and the transformation of meaning in the assertion of the medium

CAMPBELL, Niall
The threshold of modernism: The artistic and musical context of Diaghilev's Ballets Russes during the first five years

CAMPBELL, Valerie
Leon Bakst's 'Scheherazade'

CAMPBELL, Zephyrine
The depiction of furnishings and decorations in Hogarth's series

CAPPIN, David
Giorgio Vasari and the notion of genius

CARLILL, Gale E.
William Robinson's revolution: simplicity and sophistication versusextravagance and formality

CARLILL, Jo
Accommodating history: aspects of Ightham Mote, Kent

CARPENTER, Victoria Jane
Wall murals as a form of boundary markation in Northern Ireland

CARRIE, Claire
Walter Richard Sickert and his London Music Halls, 1884-1915

CARROLL, Serena
The influence of the Grand Tour on Robert Adam's Country Houses of the 1760s

CARSON, Sara L.
Judaism, Abstraction and Representation

CARSWELL, Pamela A.
John Chute and The Vyne

CARTER, Nicola
The sculpture of Elisabeth Frink

CARVER, Elizabeth M.
J.M.W. Turner's Study of Florence

CATCHPOLE, Henry Felix
The BMW Art Cars

CATCHPOLE, Sophy
An examination of the art of Edward Wadsworth during the period 1926 to 1938

CATTO, Amanda F.
Charles Rennie Mankintosh: a critical study of his reaction to Classicism

CAUSSÉ, Isabelle C.
The significance of Cross and Signac for Matisse in St Tropez, summer 1904

CHADWYCK-HEALEY, Oliver
The position of billiard tables in furniture history with close reference to the works of John Thurston

CHALMERS, Deidre
Revolution and conformity in American culture

CHALMERS, Katherine
The lives of the Scottish subscribers to Thomas Chippendale's 1754 edition of the Director

CHAN, Stephanie
The influence of Minimalism on the sculpture of Rachel Whiteread

CHAPMAN, Marcus
Alberto Giacometti 1901-1966: Art and Reality

CHARITY, Ruth
The Camden Town Murder works of Walter Richard Sickert

CHARNLEY, Sara
E.W. Godwin's career in the theatre

CHEAPE, Jessica
Upon the bare earth: museum interpretation of vernacular dwellings

CHILMAN, Lucy
Robert Adam under the patronage of the Duke of Northumberland

CHIRNSIDE, Douglas Airlie
Antonio Sant'Elia and the Vienna Secession

CHITTICK, Kim
In Pursuit of Apollo: Bernini's 'Apollo and Daphne' in the Golden Age of Cardinal Scipione Borghese

CHURCH, DANIEL G.M.
A discussion of fifteenth century Flemish exempla iustitiae

CLARK, Felicity-Jayne
The impact of 'The Metamorphosis of Narcissus' and 'The Endless Enigma' on the New York art scene of the 1930s

CLARK, J. Stephen
New buildings for the University in St Andrews 1890-1952

CLATWORTHY, James
Mary Kelly, the inseparability of theory and practice

CLAUSEN, Heidi
Some observations on late 19th and early 20th century stained glass, withparticular reference to Dundee

CO, Myat
The Outsider has come Home: Jewishness in the art of Mark Gerlert

COALTER, Ffiona
Vogue Culture: The representation and construction of fashion, modernity and feminity

COATEN, Stephanie
Discuss a selection of Peter Paul Ruben's Altarpieces between c.1610-1620, with reference to their intentions. How do they evangelise in the spirit of a specifically catholic Counter-Reformation

COLE, Louise
John Nash and his place in 20th century British art

COLEMAN, Leo
Readings in modern urbanism

COLLIER, Carly
The evolution and dispersal of the collection formed by Horatio Walpole, 3rd Earl of Orford at Wolterton Hall, Norfolk

COLLINSON, Penny
An investigation of the mediaeval stained glass at the church of St Quiricus and St Julietta, Tickenham, Avon

COMBEN, Harriet
A transatlantic approach: an examination and contextualisation of the commercial architecture of John Archibald Campbell, 1879-1909

CONN, Kathleen Mary
United States, Divided Art: Re-assessing Abstract Expressionism in response to conflicting criticism

COOPER, Dana L.
The late medieval furnishings of St Andrews University

COOPER, Lesley-Anne
Germiston, 1900-present; the emblem of Glasgow council housing policy

COPELAND, Hilary
Extraordinary Art in Ordinary Places: Grant Wood's public legacy in Eastern Iowa

COPLEY, Michelle L.
The Establishment of the Art Gallery and Museum, Kelvingrove

CORBET, Catriona
Sir Ninian Comper: continuity and development with particular reference to his Scottish work, 1889-1550

CORBY, Lucy
The triumph and tragedy of Elgin Cathedral and its place in the development of Scottish Gothic architecture

CORKEY, Julia
Artist's homes: Derek Hill's House St Columb's, Co. Donegal

CORNELIUS, Catriona J.
Architectural development South of the Kinness Burn

CORY, Adela
Constantin Brancusi: an analysis of the monuments at Tirgu-Jui

COTTIER, Sophia
Simon Palmer and the Yorkshire landscape

COTTIS, Paul
Linear perspective in Flemish painting 1420-1450

COUCHE, Vivien
The pattern designs of Archibald Knox

COX, Neil
The erotic climate of Marcel Duchamp

CRAIG, Victoria Isabella
A Modern Eden: Charles Rennie Mackintosh's 'Lost' Murals for St Serf's United Free Church, Dysart, Fife, 1901

CREW, Fleur
The career of Sir Edward Maufe, making special reference to his ecclesiastical and domestic architecture. Vols 1 and 2

CRICHTON-MILLER, Katie
E.B.Watts (1940 - ): An Anglo-American contemporary artist

CROISDALE-APPLEBY, Mycroft
J.M. Whistler's 10 O'Clock Lecture

CROMBIE, Aileen M.
'A little chapel of rough, unpolished stone, where there is nothing carved or painted to distract the eye.' The Abbey Church of Fountains and its relationship to Cistertian architectural ideals

CROMPTON, Stephanie
'Once Upon a Time...': The life and work of Henry Clews Jr. 1876-1937

CRONIN, Jean-Christophe
Aubrey Beardsley and the Art of Photo-mechanical Reprocuction

CROW, Michael
Does John Keane vindicate the continuation of the War Artist Tradition in his series of paintings entitled 'Gulf'?

CROWE, A. Thereza
Oscar Niemeyer and Brasilia

CULLEN, Sophia
John Houston in the Scottish landscape tradition

CUMMING, Jason
The Development of the British Transport Poster between the Wars 1919-1939

CUMMINS, Harriet
Etienne-Louis Boullée: public architecture and enlightened thought

CURTIS, Catherine E.
Esfir Shub; Constructivism, the Documentary and Propaganda. An Analysis of her Early Work

CURTIS, Lavinia F.
Delacroix and the Venetians: an analysis

DAFYDD, Sian Melangell
Sir Kyffin Williams and Bill Reid: A Study in 'Custodial Aesthetics'

DALMAHOY, Henrietta
Interpretations of Michelangelo's unfinished works from the sixteenth century to the present day

DAMEWOOD, Julianna
Designing a New World: Deco illustration 1900-1925

DANES, Katie
Graham Sutherland: Religious artist or commercial imposter

DANIELS, Bryony
Elveden Hall; The Indian interior

DANIELSON, Kate
Francis Picabia: the pre-Dada years, 1910-1917, with Marcel Duchamp

DARRAGH, Alison J.
William Burn: an architectural and social study of the lunatic asylum as an institution in Scotland

DATOO, Mumtaz
Early Classicism in St Andrews with special reference to Robert Balfour

DAVIES, Harriet Clare
Fourteenth and Fifteenth century Sacred and Secular Love Gardens

DAVIES, Oonagh I.
The representation of the Assumption of the Virgin in sixteenth century Venetian painting

DAVIS, Anna-Louise
From the woodcarvings used in the home to the sculpture you can buy on the street: a profile of traditional and tourist sculpture in Namibia

DAVIS, Helen
Patrick Heron: the links between criticism and painting

DAVIS, Jack
An analysis of the work of David Shepherd and the impact it has had on the world of conservation

DAWSON, Barbara
Aethelwold's Devotion to the Virgin Mary in the Illustrations of his Benedictional

DAWSON, C.W.
Neil MacPherson and the Rural Tradition

DEARSLEY, Kristina
Jay DeFeo: A beat artist in 1950's America

DEIGHTON, Jillian M.
Whistler's musical titles

DELVE, Andrew
Picasso's Paraphrases on the Past

DENNEN, Richard
The architectural development of the Church of St Andrew, Holborn

DENNIS, Larissa
The Context of the Tretyakov Gallery, Moscow: The Icon as an Image of Authority

DENNIS, Pippa
Sonia Boyce: an analysis 1983-1988

DENNY, Susannah
William Holman Hunt: realist or visionary?

DERBYSHIRE, Lucy
The Female Nude through the Female Eye

DERHAM, Emma
Women on the Grand Tour

DESMOND, Kacie
Not set in stone: American sculpture, racial identity and the white 'Ideal'

DICKSON, Allyna Siobhan
William Morris: a study of the convergence of socialist ideals and the production of art

DJAVANROODI, Zainab
Examine a selection of portraits of the Romantic poets, specifically those done of William Wordsworth, Samuel Taylor Coleridge, William Blake, George Gordon Byron, Percy Bysshe Shelley and John Keats

DOLAN, Kellie
Frida's Feminism: A Look into the Feminist Politic's of Frida Kahlo's Art

DONSON, Helen
A discussion of Melville House, Fife, as germaine to the origins of a renewal of the classical style in Scotland in the late seventeenth century

DOUGLAS, Fraser
The History of the Development of Cullen House

DOUGLAS, Stephen
Charles Rennie Mackintosh and his influence on the Viennese Secession

DOUGLAS-HAMILTON, Kitty
Oskar Kokoschka - The Double Portrait of the 14th Duke and Duchess of Hamilton - 'From Private Commission to Public Image'

DRYSDALE, Sinéad I
The emergence of Expressionism in the work of Egon Schiele

DUFFY, Nikki Louise McArthur
'Photography is not artistic....': The rayographs of Man Ray and his theory of photographic practice

DUGGAN, Peter
Edward James: Surrealism at Monkton House

DUNCAN, Anna L.
Social Utopianism: Joseph Beuys post 1967

DUNCAN, Grant Stuart
Toulouse-Lautrec and his 'Messaline' cycle of paintings

DUNLOP, Christopher
An analysis of the paintings and films by Andy Warhol of the 'Silver Factory' 1963-1968

DUNN, Lara N.
An examination of the war memorials of Cupar and St Andrews

DURNING, Louise
The architecture of James MacLaren with special reference to the Glenlyon Estate

DUTHIE, Elizabeth
The Architectural Analysis of Kelso, Roxburghshire from the period 1760- 1930

EAGER, Rosemary
Confrontation or compromise: an analysis of Easterhouse estate in relation to the housing patterns of Glasgow c.1900-1960

EDWARDS, Amanda C.
The architecture and layout of Washington D.C.: The White House, Capitol and Mall

EDWARDS, Ben
The Italian Equestrian monument 1400-1600: an investigation with a horseman's eye

EDWARDS, Georgina
How important was harmony in fifteenth century aesthetics with particular reference to Leon Battista Alberti and Piero della Francesca

EDWARDS, Isabelle Zara
Jackson Pollock and mural painting: concerning his artistic development and use of the medium

EDWARDS,Louise,
The representation of women by Lys Hansen and contemporary Scottish female artists, from nineteen-fifty to the present day

ELLES, Jack
Environmental issues in photography: A case study in the work of Fay Godwin

ELLIOT, Isla Denise
The Physiology and Psychology of Visual Perception Focused on Degas's Portrait of Diego Martelli, 1879

ELLIOT, Tom
Contemporary approaches to pictorial space: Ben Johnson and Deanna Petherbridge

ELLIS, Louise
Art and anatomy

ELLWOOD, Giles
Nature, God and Man: a study of the figurative motif and the British Romantic tradition at the time of the Second World War

ELMER, Melanie
Paula Rego's Dog Women

ELSON, Verity
Under Parr: the photographs of Martin Parr 1970-2005

EMER, Morgan L.
What were the motivations behind Kazimir Malevich's post-1927 return to the figurative?

ENTWHISTLE, Philippa
David Bryce at Fettes College, Edinburgh

EVANS, Jeremy A.M.
Newari Bronzes of the Kathmandu Valley

EVANS, William
Kandinsky and Kupka: the common sense

EVE, Matthew
Errol Le Cain: 'The Best Aspects of Illustration'

FAIERS, Julia
Egon Schiele: Sexuality and the Self

FAIRHEAD, Jeremy
Martin Travers ARCA

FARROW, Clare
Mary, Queen of Scots and the Visual arts

FERENS, Caroline
An architectural and social study of Belvoir Castle

FERGUSON, Derek M.
An exploration of the themes and ideas behind Francis Bacons's 'Painting' 1946

FERGUSON, Gillian
Images of Dundee life in the work of Joseph McKenzie, photographer

FERNATT, Ana
The Romance of the Salisbury House

FIELD, Alexandra
An Investigation into the Influences on the Work of Hamish Fulton

FIELD-MARSHAM, Jacob
Giving out light: David Octavius Hill, Robert Adamson and Paul Strand

FINDLAY, Annabel J.
Newliston

FINDLAY, Bruce
Art Nouveau Jewellery: The Works of Rene Lalique

FINDLAY, Georgina
The Sculpture of 'Leda and the Swan' in the Victoria and Albert Museum

FINLATOR, Clare
Andre Brasilier's ceramics in context

FINLAYSON, Kate
J.D.Fergusson and 'The New Scottish Group'

FINLEY, Balika
The Architecture of Russian Orthodox Churches on Alaska's Kodiak Island: Historical Survey and Analysis

FINN, Mark
The architecture of American Chain Restaurants 1925-75

FISHER, Hannah
Barbara Hepworth and the engendering of sculpture: a discussion of gender politics in 1930s criticism

FITCH, Kyle Genevieve Fitch
William Morris stained glass windows for the City Council Chambers in Dundee: an examination in their design and purpose

FITTON, Sophia
James Fitton R.A. and the Artists International Association in the 1930s

FITZGIBBON, Jennifer
An investigation into the use of space in the installation art of Louise Bourgeois

FITZPATRICK, Elizabeth J.
The movement towards informality in interior room arrangements, focusing on seat furniture in Britain and America from 1800-1825

FITZSIMMONS, Irene E.M.
A critical evaluation of the sculpture by Eva Hesse, focusing on the productive period between 1965 and 1970

FLETCHER, JANICE E.
Nantucket Island: A History of Architectural Preservation from 1659 to 1992

FOGG, Nicholas
The villas of Alexander Thomson: a search for a new architecture

FORBES, Betty Mary
The Development of Hepburn Gardens, St Andrews, Fife from 1880 to 1914

FORBES, Duncan
Wyndham Lewis, Vorticism and the male principle

FORBES, Linda
Honoré Daumier: caracatures 1830-1835

FORDE, Emily
Holkham Hall and Houghton Hall: a comparative study of their collectors and choice of paintings

FOREMAN, Bridget
John Claudius Loudon: the early years of the natural style

FORRESTER, Chloe
Sir Robert Lorimer: Ardkinglas and the historical connection

FORSTER, Susan
Philip Webb and the Astleys: a re-evaluation of Webb's work at Arisaig

FOSTER, Tiffany
Jean Lurcat, 1892-1966: an investigation into the development of modern tapestry

FOWLER, Frances J.
Overstrand- 'The Village of Millionaires'. A study of architectural developments 1888-1914

FOX, Jessica
The collage work of David Mach: an examination of the status and signifcance of the vernacular personal snapshop in contemporary art

FRASER, Kara A.
Scottish national identity in the photography of Calum Colvin

FRASER, Roland
A study of the Institutional Theory of Art with particular reference to Joseph Beuys

FRASER, Simon
The defenceless target: English caricature of the monarchy 1820-1845

FRASER, Virgina Audrey Hart
The Battle of Lepanto 1571: a victory for Venice

FREEMAN, Courtney E.
The influence of Brunelleschi's cupola of Santa Maria del Fiore on Michelangelo's design for the dome of St Peter's Basilica

FRITZSCHE, Regina
Travelling to the Holy Land 1835-1860: David Roberts, William Francis Lynch and Francis Frith

FROST, Meredith
The Adoration of the Magi in whalebone

FURLONG, Ruth
Can the Tyne Bridge be considered as art

GAIGER, Jason
Aesthetic theory and cultural criticism in the work of Theodor W. Adorno

GALBRAITH, Thomas
Examine the extent to which Mark Tobey's work and life was influenced by Chinese and Japanese art and calligraphy

GALE, Camilla
Tagging Up: the induction of Graffiti Art into the Mainstream

GALLACHER, Catherine
What are the effects of commercialisation on the art of the Western Desert indigenous peoples?

GAMMANS, Claire
In a class of her own: the work of Sarah Lucas

GARBRECHT, Jörg S.
James McNeill Whistler: his urban subjects in relation to Charles Baudelaire

GARDNER, Joanna
The contemporary published material of and on C.F.A.Voysey, 1857-1941

GARFIT, Henry
John Piper: an analysis of the official commissions for the Recording Britain and War Artists Advisory Committee schemes

GARNETT, Clare
The inter-relationship of painting and architecture in the Venetian Sacra Conversazione, c.1470-1505

GARNISH, Robert A.J.
Gaudí, Güell and the Garden Suburb: An analysis of Park Güell, Barcelona with reference to Bedford Park, London

GARRINGTON, Victoria Louise
Chints Galore: An investigation into the origins, use, and smuggling of chintz in eighteenth century Britain

GARRISON, Elizabeth
Visus, Auditus, Olfactus, Gustus, Tactus: A discussion of the Five Senses in art with special reference to the series by Benjamin West

GASKELL, Alex
Displacement and Disavowal: The Iconography of Jasper John's closet, 1954-1964

GAUTIER, Michelle
An analysis of the iconography and content of Salvador Dali's major religious paintings

GAVINS, Susan
Vrubel and Icon painting

GAYNOR, Catherine
Decoration and the Entente Cordiale

GEE, Anne
The housing of an art collection: Leeds City Art Gallery

GEIS, Terri
Alternate Realms: Magic, Domesticity and Animals in the Art and Literature of Leonora Carrington

GELL, Naomi
An assessment of Andrew Melville Hall within the context of Stirling's earlier and later works

GEMMELL, Lynsey J.
George Rae in St Andrews

GEORGE, Aimèe B.
The Sickness of Reason: Goya's Images of Madness

GEORGE, Naomi
'Artists who don't paint aren't artists'. The Turner Prize, the Stuckists and the condition of art in the twenty-first century

GIBBONS, Henrietta
J.M. Whistler: The Figure Pastels

GIFFARD, Christine
Oskar Kokoschka: 'Morder, Hoffnung der Frauen'

GILBERT, Lucy
Monumental Moments: An exploration into contemporary sculpture in London

GILBEY. Victoria
The Nude: Matthew Smith and Vera Cuningham

GILDER, Cornelia Chapin
Ventforth Hall: a synthesis of British and American architecture, Lenox Massachusetts

GILL, Henrietta
The art of Therese Oulton: 1984-86

GILLESPIE, Kate Julia
Problems concerning Titian's 'Venus and Musician' series

GILLESPIE, Vanessa
The enigma of the Westminster Apocalypse

GILMORE, Katrina
From fairytale to farce: an analysis of Paul Klee's work in relation to the art of children

GLEAVE, Emily
William Morris and the Kelmscott Press: an analysis of its typographical history, sources and influences

GLEAVE, Susan
Gauguin and Cezanne

GLICKMAN, Heather
Democracy or censorship? The difficulties of publicly funded art in the United States

GLOMM, Anna Sandaker
The international Scandinavian Asger Jorn: The nordic iconography of Cobra

GLYNN, Susannah
Quinlan Terry and modern classicism

GOLDSMID, Catherine
Myth or reality? The notion of the ideal home in Sweden

GOODHEW, Charlotte
The Poet: Concepts and construction of Cubism

GOODING, Deborah K.
Pei's Pyramid: the new jewel of the Seine

GOODING, Ruth E.S.
Romantic survival: sublime weather in contemporary art

GORDON, Gemma
Examine the Issues and Themes Raised When the Modern Nude Appears in Different Environments

GORDON, Helen
To examine the collection of works by Scottish artists held in the Scottish Parliament Building, Holyrood, Edinburgh

GORDON, Lucy
Haddo House

GOTTSTEIN, Christoph
A quiet quest for truth, the portraits of Edouard Vuillard

GOW, Neil James
Francis Bacon: Violence, anxiety and the influence of war

GRAHAM, James
Case Studies in the Transmission of Regional and Vernacular Furniture Traditions Between Scotland and Ulster

GRAHAM, Oriel
An Anthropological Interpretation of Twentieth Century Performance Art

GRANT, Claire
The role of Joanna Hiffernan in the life and work of Whistler

GRANT, Greg
Cubism as Pop: David Hockney's Photo-Collages and Pablo Picasso

GRANT, Kristin Fay
Philip Johnson's Glass House: derivative or innovative

GRATER, Abigail
The United College of St Salvator and St Leonard: Its architectural development 1747-1931

GRAVES, Ellen
Creatio ex Conventiis: Comparing Michelangelo's Poetry and Architecture

GRAVES, Nadine Elaine
Paul Cézanne's influence on Pablo Picasso in the years 1907 and 1908

GRAY, James
Account for and assess why John Singer Sargent has such a dramatic impact on portraiture. How did he manage to appeal to such a varied audience in a time of social, political and economic transition?

GREEN, Jocelyn E.
A comparison of Peggy Guggenheim and Douglas Cooper as collectors of Cubist art

GREENWOOD, Cathryn
Reconsidering Abject Art

GREER, Alexander Lyons
The great debate of Artemisia Gentileschi: a matter of opinion?

GREY, Malcolm
George Frederick Watts: the mythological works

GREY-EDWARDS, Annabel
Furniture at Petworth House: A reflection of taste and patronage in the mid-eighteenth century

GRIEVE, Lucy
Sources and influences in the work of Harry Becker, 1865-1928

GRIFFITH-JONES, Mark
The role and experience of the bear-leader on the Grand Tour

GRIFFITHS, Frances
Robert Adam, Charlotte Square and a rational vision of elegance

GUGGENHEIM, Nathan Julian
A study of the aesthetic of the abstract expressionist painter Mark Rothko including a analysis of his suicide in 1970

GUMMER, Leonora Cicely
The Real and the Ideal: an investigation into women and interior design in the paintings of John Atkinson Grimshaw

HABANANANDA, Maddie
Jackson Pollock: An analysis of his sculpture and sculptural tendencies, 1928-51

HACKETT, Flavia
The Third Earl of Egremont: patron of British art c.1775-1837

HACKETT, Katharine
Contemporary Polish posters

HAGAN, Janet
Mount Stewart: a family estate

HAIG, Sharon Louise
Who owns art?

HALLIFAX, Tom
Batty Langley and the genesis of the Gothic Revival and the Pituresque

HAMILTON, Kirsteen Margaret Anne
The Six Principles of Xie He: Their developments and their relationship to the Daoist theories of Zhuang Zhou and Lao Zi

HAMILTON, Laura
James Steel Maitland FRIBA: an unrepentant traditionalist

HAMILTON, Laura
The representation of children in Scottish Art 18th to 20th century

HAMLYN, Alexandra Evelyn Parker
The cultural and historical significance of contemporary architecture in Hong Kong: a comparison of Sir Norman Foster's Hong Kong Bank and I.M. Pei's Bank of China building

HAMSHERE, Julia
The Watlington Collection in the Bermuda National Gallery: A Catalogue Resume (?) and History of the Collection

HARDIE, Charlotte
An analysis of key themes in the painting of Alberto Morrocco

HARDSTAFF, Jane
Henry Tonks: teaching and drawing

HARDY, Lisa
A study of commodes at Hopetoun House in the context of the 18th century cabinet trade

HARLE, Rachel P.D.
Durham Cathedral: Restoration and Preservation from 1700-1900

HARLEY, Mikaela Jane
Strawberry Hill and its Legacy 1750-1785 Two volumes

HARLEY, Philip W.
The Picturesque in practice: an analysis of Richard Payne Knight at Downton, Herefordshire and Thomas Johnes at Hafod, Cardiganshire

HARRIS, Emma
Bride, Motherhood and Biological Destiny: a comparitive study of themes in the work of The Glasgow Four (Charles Rennie Mackintosh, Herbert MacNair, Margaret Macdonald and Frances Macdonald), Jan Toorop and Johan Thorn Prikker, with reference to Gustav Klimt and Marcel Duchamp

HARRIS, Leslie M.
Classical Severity: The Architecture of Joseph Bonomi

HARROP, Lorraine
The Scottish National War Memorial: An examination of the representations of Scottish identity

HART, Cathy
Will Bradley: The leading Art Nouveau American graphic designer

HART, Claire
Romantic nationalism in the Irish landscape c.1915-75

HART, Sarah Lucinda
The influence of Le Corbusier on Scottish architecture during the 1960s

HART-GEORGE, Thomas C.F.
The Crime of Expression: Graffiti in London in the 21st Century

HARTLEY, Jane E.K.
The anthropology of minimalist sculpture: How the individual relates to the material object

HARVEY, Giselle
The role of caricature in British graphic satire

HASELDEN, Melanie
Monet's London Series

HAYLEY, Sarah
Saltaire: A Study of the Model Village of Sir Titus Salt

HAYNES, Nick
The early domestic architecture of William Eden Nesfield, 1850-1870

HEALEY, Alicia
An analysis of John Ruskin's drawings of Venetian architecture

HEATH, Clare C.
Anarchy and gender instability in Picasso's 'Nude' of 1908

HELY-HUTCHINSON, Nicholas
The reluctant modernist: John Skeaping RA, 1901-1980

HENDERSON, Carol
Thomas Bewick, the Fables of Aesop 1818

HERBER-DAVIES, Elizabeth
In the Chapter Houses of Salisbury, York and Southwell the architectural design and function reflect the Spiritual, Physical and Moral aspects of the world

HERON, Annabel
How do modern restorers physically and ethically deal with alterations to oil paintings? Should the alterations that occur in a painting's history caused by aging, restoration and deliberate or accidental modifications be removed or retained today

HESKETH, Rollo B.C.B.
'Myth as a Vehicle for Human Enigma': Classical interpretations in the Art of Gustave Moreau, with particular reference to his painting 'The Suitors'

HETHERINGTON, Aiden
The Development of Featherstone Castle, Northumberland, 1779-1840

HEWERTSON, Deborah
Salome: the evolution of an image of destruction

HEYWOOD, Olivia
Minterne

HIGGINS, Joanna
The influence of 18th century British architecture on Thomas Jefferson's designs for Monticello

HILL, Samantha
Eusebio Guell I Bacigalupi: a modern Maecenas of the Catalan Renaixenca

HILL, Sarah
The founding of the Dovecot Studio and the Marquess of Bute's commissions

HILLIARD, Elizabeth
The Omega workshops

HILLIER, Laura
A consideration of the extent to which the stained glass work of Henry Payne was a product of the Arts and Crafts Movement

HIRST, Caroline A.
The vernacular furniture styles of the Outer Hebrides: their origins, influences and context within past and present day settings

HITCHCOCK, Jane
Belsay: a study of a Northumbrian country estate

HODGSON, James
Nikolaus Pevsner: a survey of his writings in England and their relationship to the Modern Movement

HODGSON, Victoria
The Classical Work of James Gillespie Graham

HOGAN-HERN, P.
James McNeill Whistler: the poetic francophile. An analysis of Whistler's nocturnes of the 1870s and the men who first owned them

HOGAN-HERN,V.
An analysis of James McNeill Whistler's aims and achievements as a portrait painter in the 1880s

HOGARTH, Emily
The Russian in Macau: The Art of Konstantin Bessmertny

HOGBEN, Simon A.
Borso d'Este, the man and message as reflected in the 'Hall of the Months' of the Palazzo Schifanoia

HOGGE, Alice
Architects in contemporary theatre

HOHENLOHE-OEHRLINGEN, Margaret zu
The Polyptych of St Vincent

HOLLAND, Susan
A study of aspects of working class housing in 19th century Rochdale

HOLLBOROW, Caroline
Montrave House: an example of James Gillespie's Country House architecture

HOLLOWAY, Julian
Mortimer Menpes: 'Pupil of Whistler'

HOLMES, John R.A.
Walker Evans: photographs for the U.S. Farm Security Administration, Alabama, 1936. 'The Paradox of the American Myth'

HOPETOUN, Skye
The Fourth Earl of Hopetoun and Hopetoun House

HOWARD-SNEYD, Antonia
The craft of the silversmith: Gilbert Marks

HOWATSON, Victoria
Jan Kotera: The role of international architectural influences in his quest to develop a Czech national style

HOWELLS, Jennifer
The making of pictorial metaphor. An examination of the themes of music and poetry in the work of Ceri Richards (1903-1971)

HUDDY, John
Christopher Wood: his life with the Nicholsons and St Ives

HUMM, Louisa
The creation of Kedleston Hall and Park 1758-1775

HUNNISETT, Mary C.
Girtin, Durham and the Picturesque

HUNTER, Rachel
The origins of British Pop Art in the 1950s

HUNTER, Stephanie
The relation between music and architecture in the churches of baroque Rome

HURKMANS, Nona
Common ground in Dutch design of the twentieth and twenty-first century

HUTCHINGS, Susan
Joseph Noel Paton: his links with Dunfermline

HUTCHINSON, Collette
Surrealism and Pop Art, side by side in the sculptural work of Clive Barker

HYMAN, Elizabeth Paige
War photography: the power of the single-image in the twenty-first century

IRVINE, Hazel
Lyotard's 'Les Immateriaux': postmodern event or postmodern art?

IRVING, Ciorstan Mill
The development of Gifford 1650-1850

ISOMÄKI, Mikko
Kandinsky's 'Motley Life' and its Relation to Russian Art Mythology

IVORIAN-JONES, Lisa
The Baronet and the Butterfly: the Case against Eden

JAAKKOLA, Ulla
Eduard Manet and Edgar Degas: two visions of prostitution in nineteenth century France

JACKSON, Dorothy
Alvar Aalto: the spirit of synthesis

JACKSON, Sara Lucy
Kyffin Williams RA OBE: A Study of a Contemporary Artist

JACKSON-HUTT, Oliver Arran
A study into the changing traditions of organ and choir design and placement in nineteenth-century ecclesiastical buildings in Scotland

JACOBSON, Courtney Ann
A study of practices in gallery education for children

JAMES, Anna
The Grange: the history of an English country house

JAMES, Camilla
The pre-war Cubist architecture of Josef Chocol

JAMIESON, Susan J.
The art and influence of Walter Crane's wallpaper designs

JANET, Sandrine
'Misleading Appearances': A study of Man Ray's fashion photography

JESSOP, Crystal
'Mission over but not for a long, long time forgotten' 'Life' April 16th 1965: a study of photography during the Vietnam war and its effect on the contemporary viewer

JOHANNESEN, Maria
The history of the British auction house

JOHNSON, Mark
William Burn: selected country house works in Fife

JOHNSTON, Christine Elizabeth
Glenrothes: a New Town and its Architecture

JOHNSTON, Fiona McKenzie
The Fourth Dimension: A Utopian Ideal

JOHNSTON, Fiona
An examination of the St Anne Altarpiece by Gerard David

JOHNSTON, Victoria A.
Middle-class ideology as displayed in the development of the town of Helensburgh and its villas, 1860-1914

JOHNSTON-GRAHAM, Susan
Buddhist architecture of Central Tibet: a paradigm proposed and applied

JONES, Alexandra M.
The Glasgow School of Art Commission. Charles Rennie Mackintosh and Francis Newbery: a creative partnership

JONES, Caroline
William Burn's designs for asylums and his influences

JONES, David
Broughton Hall: an examination of patronage and taste at a Yorkshire country house

JONES, Nicola
A Brief Study of Scottish Vernacular Furniture Depicted in Walter Geikie's Lowland Cottage and Farmhouse Interiors

JONES, Peter
Landscape, light and colour: a Galloway idyll. A study of artists in Kirkcudbright 1885 to the present day

JONES, Tim
For God, Their City and Themselves: William Roscoe and the Medici

JORDAN, Andrew
Civic symbols of the North and central Italian city states 1250-1500

KAKOULIDES, Maria
Sir David Wilkie in the Orient: An Interpretive Analysis of the Work of Sir David Wilkie from his Journey to the Orient (1840-1841)

KAMIYAMA, Takayoshi
The hidden origins of Japonism revealed by the relationship between Ukiyo-e and Mannerism

KAY, Richard A.
An examination of the nature of the artist's studio in nineteenth century French art

KAYE, Julian James
E.M. Forster's Italian novels and their film adaptations

KEEFE, Beatrice Radden
Trademarks of the Corbie Master: The Corbie Psalter (Amiens, Bibliotheque Municipale MS 18) and related manuscripts (Paris, Bibliotheque Nationale Lat. 13025 and Lat. 4884)

KEITH, Janet
Building boom in Belfast: a study of suburban residential building in the Malone and Lisburn Road area of South Belfast c.1850-1900

KELLAM, Amy
The Deviant Odalisque: the treatment of the female nude in Ingres's 'Grande Odalisque' and Alison Watt;s 'Odalisque/Fragment 1' diptych

KELLY, Gemma
Looted art and its restitution: Hitler's leagacy to the modern art world

KEMP, Zoe
Sensitive in an unusual way: John Piper's innovative approach to stained- glass design

KENCH, Ben N.
A selection of German portrait drawings and early medals, 1470-1540

KENNEDY, Tessa
An analysis of the naturalism of Jules Bastien-Lepage and his influence on the Glasgow Boys

KENT, Stacy Ann
Dignifying the labouring poor

KERACHER, Susan
The Mythologies of Paolo Veronese

KIBLER, Maria E.
J.A.D.Ingres and the tensions of the female nude compositions

KIERNAN, Philippa
Rosslyn Chapel: an examination and analysis

KINGSTON, Sarah
James Morison, Cabinet-maker and upholsterer, Ayr. Glasgow and Edinburgh

KIRBY, Sarah Rebekah
Erte's Art Deco costume designs

KIRLAND, K.
Is the Group of Seven's 'image' of Canada still applicable?

KISS, Julia
Assessing the extent to which the production of Georg Haupt was influenced by 18th century English furniture design: a case study of commodes

KNATCHBULL-HUGESSEN, Sally
The RIBA building: a Statement of British architecture in the 1930s

KNIGHT, Juliet
The Progress of the Beast: animals in renaissance art: Pisanello, Jacopo Bellini and Durer

KOTERBAY, Scott
Postmodernism in comic book art: the work of Bill Sienkiewicz

KUHN, Emmeline
Alfred Stieglitz: A contributive photographic career and leading benefactor to the age of modern art in the United States of America

KUNISCHE, Virginia M.
A development of taste exemplified by H.S. Ede and his creation of Kettle's Yard

KÜRSCHNER, Saphira
Roman and Venetian mid-sixteenth century palace design compared

KURTH, Matthias
A study of William Bruce's Palace of Holyroodhouse and its impact on Scottish architecture

LACEY, Katy
Who stole the limelight? The triumph of the British Victorian theatre poster

LAIDLAW, Callum A.
'How did the changing dynamic of the Victorian elite affect the move from Gothic to English Vernacular in country house design?' Including a comparison between Kelham Hall and Cragside House

LAIDLAW, Jill
The work of Ian Hamilton Finlay: an exploration and discussion of the sources for 'Little Sparta', with additional reference to the concept of the sacred grove and the exhibition 'Nature over again after Poussin'

LANE, Emily
Landscape, place and identity in the work of David Inshaw: a modern day romantic artist

LANE, Julie A.
El Greco and patronage in Toledo: three decorative programmes

LANGENSKIÖLD, Anna
Pictorial Space in the Work of Antonello da Messina

LAUNCHBURY, Jane
The life and work of Thomas Sheraton and his influence on the Scottish cabinet-making trade in the late 18th and early 19th centuries

LAVINGTON, Thomas P.T.
George Gordon, 6th Lord Byron and his impact on visual culture until the death of JMW Turner in 1851

LAWRIE, Alastair
The Man in the Ironic Mask: the (mis)representation of Gerhard Richter by Benjamin Buchloh

LAWSON, Inga Tarn
Political posters of France: from one revolution to another, the themes and means

LECKIE, Alexandra
How the commissions of the two sacristies in San Lorenzo show the relationship between the architects and the Medici patronage

LEDGARD, Annabel
A study in Victorian individuality: John Milne 1822-1904

LEIPER, Dorothy
Literature: a force in the work of Paul Cezanne

LESLIE, C. Margaret
Form and Function in the decoration of Musical Instruments

LETTE, Christiaan Arjen
The development of architecture in St Andrews during the 1960s

LETTINGTON, Robert Y.L
The Revivalist Scottish Baronial Architecture of William Burn and Sir Robert Lorimer

LEVITT, Alison
Rape in the graphic arts: power, contempt and the myth of 'heroic seduction'

LEVITT, Laura Mary Elisabeth
Rubens' Revelation: eroticism in three of Rubens' triptychs

LEWIS, Natalia
Sir Hubert Von Herkomer: A Portrait of the Poor

LEWIS, Suzy
La Chapelle St Pierre, Villefranche-sur-Mer decorated by Jean Cocteau

LEWIS, Tomos Dafydd
Storytellers: when an object is damaged or destroyed, does its restoration enhance or detract from its role as an object of art and object of history?

LIDSTONE, Anna
J.Donald Mills, architect: his St Andrews career

LIGHTOWLER, Consuelo
The structure of Gothic Architecture: analysis and interpretation, 1750-1820

LILLIE, Julia G.
The study of everyday life in 1950's France: Roland Barthes, Henri Lefebvre, Jacques Villeglé, Raymond Hains, César and Arman

LINDFIELD, Peter Nelson
The Vertical and the Horizontal: Promulgation of Perpendicular at Gloucester Cathedral

LINDSAY, Rebecca
The role of 'The Evergreen' in the dissemination of an indigenous Scots renaissance, emphasising its editor Patrick Geddes

LIOIA, Daniela
Whistler and the Glasgow Boys

LLEWELLYN, Harry
'Masters of Light': in what ways was the Caravaggesque absorbed into Dutch art during the first half of the seventeenth century

LLOYD-JONES, Caroline
Kasimir Malevich's 'An Englishman in Moscow'

LOCK, Abbi
The Glasgow Boys and Japan

LOCK, Imogen
Whistler's White House

LOVELL, Will
Francis Bacon: From popes to portraits

LOWRIE, Kristoffer
The Forth Bridge: structure and symbol

LUKER, Emma J.
The Huth Psalter: patronage and production

LUSH, Charlie
John Brakewell Baldwin: A near-centennial reassessment

LYE, Margaret
The Architecture of Hippolyte Jean Blanc with particular reference to his Churches at Invergowrie and Broughty Ferry

LYLE, Suzanne
An analysis of the St Andrew's Psalter

LYON, Amelia
Hieronymus in Gloria

MacASKILL, Fiona
The role of photography in the work of Edward Atkinson Hornel

MacBETH, Lindsay
The Thorsen house by Greene and Greene: a comment on simplicity

MacCALLUM, Morven J.
The landscape and architecture of Quarrier's homes: analysis and evaluation

MacDONALD, Charlotte
Is Stencil Graffiti a legitimate derivative of Hip Hop Graffiti: a study of hip hop culture and changing aesthetics

MacDONALD, Jane
Thomas Affleck: the enigmatic Scot in Colonial furniture

MacDONALD, Juliette
Dreams and Visions: an evaluation of the decorative work of Douglas Strachan

MacDONALD, Nancy J.
The influences of Highland culture and landscape in contemporary Scottish art

MacDONALD, Naomi
George Middlemass Cowie in the Tradition of St Andrews Photography

MacDONALD, Sarah
Camille Claudel: the Rodin years 1882-1898

MacDOWALL, Katharina Simone
Blenheim's Mistress: the art patronage of Sarah Jennings Churchill

MacINNES, Katherine
The 'cottage-type' houses of the Willowbrae scheme 1919-1922, Fairlie, Reid and Forbes

MacKAY, Cecilia J.
'An Appreciative Haven for Art': An appraisal of The Stanley Picker Trust Art Collection and the manner in which it is displayed

MacKAY, Lucy
How did the male artist J.D. Fergusson perceive women on the canvas and how did women artists perceive the world behind it, within the male dominated sphere of art in Bohemian Paris

MacKENZIE, Rowland
The intellectual foundations of Domenichino's approach to music and painting

MacKENZIE, Susan
The narrative potential of Anglo-Saxon line drawing

MacKINNON, Ariana
Medievalism as a response to the industrialization of Britain with particular reference to the work of William Morris and Edward Burne-Jones

MacLAREN, Luci J.M.
The Work of Young and Trotter and William Trotter in the South West of Scotland

MacLAURIN, Anne
A consideration of 'Portrait of Lady', Balcarres House

MacLEOD, Mark
Greyfriars Kirkyard: Seventeenth-Century Mural Monuments, their Designs, Influences and Patrons

MacNIVEN, Fiona
The decorative art of Margaret Macdonald: An analysis of style and subject matter

MADE, Caroline
Contemporary patronage: Corporate art investment

MAEDA, Sayaka
Arne Jacobsen's furniture making in the 1950s

MAIN, Peter
Art Nouveau architecture: a comparison of the architectural styles of Fedor Shekhtel, Henry Van de Velde and Victor Horta

MALE, Charlotte
The Embankmant, Tite Street and Godwin

MANDAVILLE, Peter G.
Reworking Croce and Collingwood: Variants of aesthetic experience in artist and audience

MARLOW, Julia W.
Elaborate women in the drawings by Henry Fuseli, 1741-1825

MARNHAM, Clare
An examination of Mark Rothko's increased concern for the spiritual in his later paintings, given the political, philosphical and artistic contexts at this particular point in history

MARSHALL, Clementine
Imogen Cunningham's Mount Rainier Series: the male nude in art

MARSHALL, Jessica Kate
To what extant was the Hercules Garden at Blair Atholl fashionable from 1750-1800?

MARTIN, Claudia
The Pantheon and the Renaissance

MARTIN, James
Picasso and the status of the sitter: the Cubist portraits of 1910

MASON, Clare
Gothic or Gothick? A study of landscape creation and interpretation focusing on Fountains Abbey and Studley Royal

MASSET, Claire
In what ways is Gustave Moreau's art abstract?

MASTERMAN, Claudia
El Greco, a great reformation artist. To what extent did the Spanish Reformation affect his art, and to what extent did he affect the reformation at Toledo?

MATHEW, Rebecca
The Paton brothers: Pre Raphaelite artists in Scotland

MAULE, Peter
The works of David Hamilton with special regard to the development of Glasgow 1800-1843

MAXWELL, Jenny
Rodin: breathing life into sculpture. A creation story

MAXWELL, John
Examine the relationships between Rodin's 'Saint Jean-Baptiste' and his 'Homme qui Marche'

MAY, Juliet
Protest Art in South Africa

MAYS, Deborah C.
The Old University Building, St Andrews

McADAM, Fiona
Audrey Flack and the personal image of Photorealism

McANDREW, Shona
An analysis of the man and dragon combat from the Sigurd legend in the north of England to the first carvings of St Michael and the dragon

McANGUS, Sonia
William Gillespie Lamond and Charles G. Soutar: free style architecture in Dundee c.1900-1910

McANSH, Susan
Carl Malmsten: designer, philosopher and teacher

McARTHUR, Fiona
Artemesia: a gift to the Carracci reform?

McBRIDE, Alistair
Karl Grimes, 'Still Life': Art as an empathetic way of seeing and science as a systematic perspective

McCALLAN, Mary Rose
The status of Marie-Thérèse Walter in the work of Picasso

McCANN, John
Hylands: a study in the creation, expansion and decay of an English country house

McCARTHY, Ursula
The representation of St Sebastian and St Roch in Venetian art 1460-1520

McCLURE, Shirley
Nataly'a Goncharova's stage and costume designs for 'Le Coq d'Or' 1914

McCORMACK, Biba Penney
Fashion and surrealism: The art of Schiaparelli

McCRONE, Elizabeth A.M.
Medievalism and Symbolism in the paintings of the Pre-Raphaelite Brotherhood

McCULLOCH, Georgina
The small classical country house in the vicinity of Edinburgh c.1686 - 1707

McDOUGALL, Victoria
Rachel Whiteread's Postmodernity

McEWAN, Catriona M.
The Furniture of Working Class Houses in Glasgow, 1800 to 1930

McHARG, Alison
Women in the work of Vincent van Gogh

McILWAINE, Gillian Rebecca
Degas in New Orleans

McINDOE, Robert
--- (missing)

McINTOSH, Alexandra M.
How significant was Primitivism for the development of Picasso's art between 1906 and 1908?

McKEEN, Sarah-Jane
A Discussion of Luibov Popova's Constructivist Designs for Meyerhold the Director

McKENZIE, Rebecca
William Wilkins at Cambridge, a comparative analysis of his designs for Downing College, King's College and Corpus Christi College

McKINNON, Sophia
Made in China: negotiating boundaries in contemporary Chinese art

McLACHLAN, Joanna
William Hesketh Lever and Thomas Barratt: their roles in introducing fine art in advertising

McLEES, Fiona
Contemporary cartography: an analysis of mapmaking in the works of two contemporary artists

McLUCKIE, Bridget
The folk tale illustrations of Ivan Bilibin 1899-1906

McMAHON, K.P.
Reflections, absorptions and innovations in the Church of San Zaccaria in Venice

McNESBY, Maggie
Georgia O'Keefe: Feminism and Femininity

McPHAIL, Mairi
Hans Holbein the Younger: 'The Allegory of the Old and New Testaments'

McWHIRTER, Jane
Crawford Priory and Lady Mary Lindsay Crawford: architecture and patronage in Scotland 1809-1813

MEIKLE, Karen
The Scottish landscape as portrayed in the early works of James McIntosh Patrick

MERCER, Jenny
Walter Pater's theory of the art object: continuation or disavowal?

MESQUITA, Patricia Teixeira de
The rise and fall of the Red Fortresses: An art historical approach to social housing in Vienna, 1919-1934

MEZZATESTA, Marya
Aspects and motivations of private art collecting in America 1870-1928

MICHEL, Ruth
The Ruthwell and Bewcastle Crosses

MIDDLETON, Catherine
'Angels from Heaven': Lewis Carroll's Photographic Interpretation of Childhood

MIDDLETON, Heather
The criticism of Adrian Stokes

MIERS, Mary
Balcarres House

MIGUEL, Angela
Surrealism and the Abstract Expressionists Redefinition of the 'Primitive'

MILLAR, Audrey
Dollar Academy

MILLAR, Margaret
De Kooning: The Issue of Existentialism

MILLAR, Susan J.
Ediburgh Corporation's Response to the 1930s Housing Problem

MILLE, Charlotte de
Thorpeness, Suffolk: An exploration of its genesis

MILLER, Jane K.
Vincent van Gogh. The portraits at Arles

MILLER, Lawrence
John Douglas

MILNER, Annalisa
The crucifixion drawings of Michelangelo in relation to his poetry

MITCALFE, Rachel
The late work of Paul Nash 1939-1946: Aerial aspirations

MITCHELL, Rory
Picasso and Velazquez's 'Las Meninas'

MOHAN, Bridget Eileen
Francesca Woodman in context and criticism

MOHIDEEN, Karima
Sir Robert Lorimer: furnishings and interior decorations

MOHR, Stefanie
Maternity, vitality and the universal form: the mother-and-child in the work of Henry Moore and Barbara Hepworth

MOLE, Mary-Claire
Whistler, the British and the artists: an analysis of his involvement with and influence upon the Royal Society of British Artists 1884-1888

MOODIE, Kari A.
Aubrey Beardsley: Symbols and Spectators

MOONIE, Stephen
Surrealist tendencies in the work of R.B. Kitaj

MOORE, Abigail
The architecture of Philip Webb at Standen, East Grinstead, with special reference to the primary data available

MOORE, Ivan
Boccioni's sculpture: the evolution of a style

MORGAN, Fiona J.
The development of the Moray estate in the context of the Edinburgh New Town

MORRIS, Suzanne
Sexual murders in Germany: an examination of the 'lustmords' of George Grosz

MORRISON, John
The Dutch and Flemish influence on painting in Scotland from 1862 to 1901

MORTLOCK, Tiree
Navigating the Labyrinth: An Exploration into Max Ernst's Iconography and Oedipal Conflicts

MOSS, Nancy
The Commentary Illustrations of the Gulbenkian (Lisbon, Calouste Gulbenkian Museum, MS L.A. 139) and Abingdon (London, British Library, MS Add. 42555) Apocalypses and the changing face of anti- Semitism in thirteenth century England

MOUAT, Helen A.
The Vigeland Park: an everlasting cycle of life

MOULE, Victoria
A Study of School Furniture in Scotland 1830-1940

MOWAT SLATER, Katrina
Sir William McTaggart: an account of his stylistic development

MUGHRABI, Maher M.K.
Salvador Dali and the myth of the artist: A critical reassessment of Dali's place in art historical discourse

MUKERJEE, Marisha Alexandra
The 'Surge of Anglomonia' in Russia 1898-1905: Whistler and Russian Art

MUNRO, Melissa
Jackson Pollock as a shaman artist of the modern age

MUNRO, Victoria
'Women are the superior race': Sarejane Hoare's representations of women in British Vogue

MUNSEY, Katherine
Examine Chippendale's influence on America and the development of American cultural identity

MURDOCH, Sheila
Mackay Hugh Baillie Scott and Charles Rennie Mackintosh: two housesin Helensburgh

MURRAY, Alona
The Aberdeen furnishing trade from 1796-1830, based on contemporary press notices

MURRAY, Hugh M.
A study of the varying realisation of a new town in Keith, Fochabers, Inveraray and Thurso

MYRONE, Jayne
Three women of the Glasgow School of Art, 1893-1948

NAIRNE, Andrew
James Gillespie and Scott, 1876-1914

NASH, Edward Toby
Sign Language: The Art of Fiona Ray

NELOWET, Elizabeth C.
T.F.Chen: the genesis of Neo-Iconography

NELSON, Merope
Changing British Images of Irish Troubles

NEWINGTON-BRIDGES, Henrietta
Plato's Theory of Art: an appraisal

NIBLETT, Claudia
A study of the development of Neo-Impressionism and the role of the critic

NICHOLL, Rhianne
Self-representation and interpretation in the work of Frida Kahlo and Claude Cahun

NIELSEN, Winnie
The history and controversy of the Turner Prize

NOON, James William
Francis Bacon: a study of society and philosophy in relation to his themes

NORMAND, Carey
Gender in late nineteenth century Scottish painting

NORTON, Gael
Catholic Reformation? Patrons and their artists

NOTHIAS, Martine
A study of Baudelaire's aesthetics

NYMAN, Britt Katherine
Evelyn George Carey: An appreciation

O'BRIEN, N. Charles
Andrew Geddes ARA, 1783-1844: 'Artist of Taste'

O'CONNOR, James
'Towards the wall picture': Pollock and the foundations of a new architecture for Abstract Expresionism

O'CONNOR, Paul J.
Leonardo da Vinci's Landscapes

O'KEEFE, Angela
The history of Irish Christianity depicted in relief sculpture at St Colman's Cathedral

O'NEILL, Adrienne
The Royal Exchange / City Chambers Building, Edinburgh

OETTINGEN-WALLERSTEIN, Philipp-Carl Prinz zu
A study of Albrecht Adam's life in word and picture

OGILVY, James
Cecil Beaton and Bill Brandt: an analysis of their portraits

OLGLETREE, Andrew W.
The development of the Baroque aesthetic in Scotland from Kinross House

OLIVER, Clara
Alexander Calder, Artist or Engineer? A Study of Kinetic Constructions

OLIVER, Sarah
Propaganda and the emergence of Soviet Socialist Realism

OLMSTED, Jenny E.
'Como redemptore': Franciscan mysticism in thirteenth century painting and poetry

OLSEN, Janet
Decorative painting in Scotland 1550-1650: sources and influences

OMAN, Erika L.
Robert Rauschenberg: Minding the Gap

ORAM, Sarah
American Photography 1938-1959: 'American Photographs' to 'The Americans'

OWENS, Elizabeth N.
Cubist Construction and Surrealist Object: Found Materials in High Art

OZOLS, Inta
Aspects of urban developments and public buildings in Dundee circa 1820-34

OZOLS, Ruta
Caravaggio in context: the role and treatment of the artist in film

PAGEL, Allegra LaViola
St George in Venetian Art from Antonello da Messina to Titian

PARDOE, Rachel
Bourneville, 1895-c.1910: the study of a model village

PARKER, Jennifer M.
House of Falkland: The Transformation of Nuthill under William Burn

PARKIN, Elizabeth M.
Leech, O'Connor, Yeats: Three Remarkable Individualists

PASTERNAK, Jeremiah
To what extent was Marcel Breuer influenced by the experimental chairs of 1918 by Gerrit Rietveld?

PATERSON, Neil
Eduardo Paolozzi and Surrealism

PATERSON, Rebecca
Franz Marc: Colour: how did the development of a colour theory give substance to the artwork of Franz Marc

PATON, Jane
Licentiousness or art? The figurative work of Egon Schiele

PEDERSON, Line
A Survey of Danish Art Nouveau Jewellery

PEERLESS, Jane-Emma
Women in portraiture in Venice, 1500-1540

PELBROUGH-POWER, Clive
Le Corbusier's Unité d'Habitation: an urban Utopia?

PENRUDDOCKE, Justine
What Role Does Art Play In Corporate Investment, with special reference to the Donald M. Kendall Sculpture Gardens at Pepsi-Co?

PERKINS, Christopher
How did Alfred Stieglitz and Eugene Atget use the camera to explore the psychological space of the modern city?

PHILIP, Katherine
The subtlety of suspended meaning: an investigation into the originality of Vermeer's genre paintings

PHILLIPS, William
'Sensation': the phenomenon of young British artists and the influence of Charles Saatchi on the development of British Art

PICKERING, Angélique
Fakes and forgeries: in search for the truth behind the facade

PICKETT, Karli
The Sacred Battlefield: late nineteenth and early twentieth century churches and social revolution

PICKIN, Sara
Building Associations: a comparative analysis of the new architectural language created by Lechner in Budapest and Guidi in Barcelona

PIERREPONT, Kate
Subject matter and style in John Everett Millais' paintings, 1854-1859

PIETRAFESA, Alix
An exploration of the female form in the sculpture of Alberto Giacometti, from the Surrealist object to the standing figures

PIKE, Richard S.
Die Brucke Wooden Sculpture: Germanic, Romantic and Rebellious

PIMENTA, Maria Ana Camara
An analysis of Paula Rego's graphic work focusing on Peter Pan

PINFOLD, William
The vendetta picture in 16th century Scotland

PINK, Elizabeth
Sir William Bruce at Kinross House

PITT, Rebecca
In what way did the women in Picasso's life affect and influence his work, from Olga Khokhlova to Dora Maar

PLAYFAIR, Kirsty Olivia Lyon
The influence of ancient Egyptian culture in Scottish architecture during the Enlightenment and Post Enlightenment periods, 1750-1850

PLUTH, Lisa
The development of Bothwell and Dunstafffnage: a parallel survey

POLK, Laura
Representation and interpretation of Dutch seventeenth century domestic interiors

POLLOCK, Venda Louise
Northern Consciousness and National Identity: An examination of Edvard Munch's participation in the Society of Scottish Artists 1931 Annual Exhibition in the context of the debate regarding 'national identity' and tradition in Scottish Art

POLLOCK, Xela
Surrealist Theatre

POOKE, Grant F.
Politics and the avant-garde: a context for Gilbert and George

PORTER, Lindsay
Apollinaire and the French avant-garde: literary influences on the visual arts

POUPARD, Susan
San Giovanni Elemosinario and the Byzantine Revival Churches of cinquecento Venice

POWELL, Gemma
The Architecture of John Rhind and the Mackintosh of Mackintosh family

PRALL, Gemma Ruth
Ernest Newton: with special reference to his country houses

PRENTICE, Stephanie Claire
Unfreeze: The impact of Charles Saatchi as a collector on British contemporary art and the market since the 1990s

PRESTON, Clare Taka
Isamu Noguchi: a study of cultural identity

PRINCE, Bronwen
Murray Park, St Andrews

PRITCHARD, Angharad Jane
The influences on the sculptural work of Sir William Goscombe John

PROCTER, Kate
'One must live near to nature': a study of the use of tradition in the Sapperton houses of Ernest Gimson and Ernest and Sidney Barnsley

PROUD, Julia
A Re-Evaluation of the Scottish Landscape

PRYKE, Sebastian
Francis Brodie, wright and glass grinder, and the Edinburgh furniture trade, 1735-1785

PUGH, Rosanna
The Edward Life: moral examplar or court propaganda?

PUGH-SMITH, Gabriella
Examine the relationship between JMW Turner and his patron, Walter Fawkes

PULLIAM, Heather
An Exploration of the Possible Functions of the Book of Kells: The Logos, the Evangelist and the Columban Scribe

QUAAS, Ana Victoria
The portrayal of German Society from 1918 to 1933 by George Grosz and Otto Dix

QUENBY, Anna S.L.
Wimpole Hall, Cambridgeshire: Development and Change, 1640-1960

RADCLIFFE, Harriet
A still life painter: George Lance's career and the Dutch influence upon it

RAE, Philippa
'Man Needs a Maid': Whistler and his Early Models

RAMSEY, Alexandra
Paul Klee's understanding and use of primitive art

RAMSEY, Jane
The issue of nationalism in the art of Jack B. Yeats

RATHSMANN, Birgit
Lewis Desoto and the multicultural paradigm

RAWLINGSON-PLANT, Ben
Duncan Grant's Stage and Costume Designs

RAWLINSON, Julia
Sir Robert Lorimer: an analysis of his furniture designs

REA, Alison
The war that Hitler won: The propaganda triumph of the Berlin olympics

REDFEARN, Jane
An analysis of the social political and philosophical issues raised by the 'Stonebreakers' and the 'Burial at Ornans' by Gustave Courbet

REDMAN, Charlotte
The true or the false?: The recent controversy surrounding restoration of Italian frescoes

REEVES, S.J.
Balcaskie House: an examination of its development in the 19th Century with special reference to the landscape garden of William Sawrey Gilpin

REILLY, Jennifer Jane
A contextual analysis of gender in the work of Gertrude Käsebier

RENDLE, Alison
A study of the relationship of J.M.W.Turner's ideas to aspects of the poetical and philosophocal thought of the eighteenth and early nineteenth centuries

RENFREW, Magnus
John McLean: recent work in context. A curator's report

RENNIE, Sandra
A study of the sculpture of Bernini in the context of the Counter-Reformation, with particular reference to St Peter's and the Cornaro Chapel

RICCIO, Honna
Le Corbusier's formative years: a study of the emergence of his design principles and their culmination in the Villa Savoye

RICH, Chris
Paul Strand: Artist or Humanist?

RICHARDS, Beth E.
A civilising agent: Frank Pick and his influence on British design

RICHARDS, Jane
St George and the Rider in the work of Kandinsky, 1904-14

RICHARDS, Thomas
Anthony Van Dyck: the self-portraits

RICHARDSON, Alisa Jane
Art Nouveau and womens' fashions 1895-1920

RICHARDSON, Carol
Memling and the Italians

RICHARDSON, Claire
Apollo in Strathclyde: the symbolim of Apollo and the Apollonian in the work of Ian Hamilton Finlay

RICHMAN, Lindsay Brooke
Transforming Paris: Le Corbusier and his context

RIDAY, Mihaela
The language of gesture in Leonardo da Vinci's 'Last Supper'

RIDER, Alistair
Square Roots: Minimalism and 'the New Sensibiltiy'

RIDGE, T.L.P.
The Themes of Cruelty and the Grotesque in the Works of Goya

RIESCO, Katie
JMW Turner's art at Petworth House: is this collection a true reflection of his diverse styles?

RIGBY, Lauren
The Establishment of the Scottish National Gallery of Modern Art

RILEY-SMITH, Crispian
Francis Bacon: an analysis of the ideas and images behind three studies for a crucifixion, 1962

RINGLAND, Jill
Stirrings of the Gothic Revival in County Down 1760-1820

RISDELL, Marcus
Gibert and George

RO, Crystal
Clyfford Still and the landscape of the American West

ROACH, Joanna
Portmeirion from conception to maturity

ROACHE, Verity
An analysis of Chippendale's dressing table designs investigating the change in style from the first edition of 'The Gentleman and Cabinet- Maker's Director', 1754 to the third edition, 1762

ROBERTS, Donna Louise
Aspects of the formal language of Hector Guimard

ROBERTS, Katie
Peter Prendergast and David Woodford: the end of tradition or the future of art in Wales

ROBERTSON, Alastair D.W.
Un Dolce Impoverire: Pound, art and history in 'A Draft of Thirty Cantos' and 'The Pisan Cantos'

ROBERTSON, Aline
The Female Nude in Photography

ROBERTSON, Deborah
Distinguished voyager: a study of the life and work of Jozef Sekalski, artist-engraver

ROBERTSON, Lindsay Claire
The relationship between the theories of Johann Joachim Winckelmann and the art of Jacques Louis David

ROBERTSON, Morna
Robert Kerr, the Architect and Writer

ROBERTSON, Sallie
The Victorian Women Artists. a Portrait of Elizabeth Siddal and Barbara Leigh-Smith

ROBERTSON, Victoria
An analysis of the representation of labour in the photography of Lewis Hine, 1900-1931

ROBESON, Pippa
Sir John Soane's Pell Wall Hall, Shropshire, 1822-1828

ROBINSON, Alexandra
The Carnegie International 1999/2000: a Philanthropist's Vision of International Art

ROBINSON, Emma
Arniston: The Evolution of a Country Seat 1571-2000

ROBINSON, Jane
An Analysis of Joan Eardley's art with relation to the Scottish tradition inpainting

ROBINSON, Vanessa
Ben Nicholson's move into abstraction: an argument that he met European modernism without sacrificing his English roots, centred on his White Reliefs, 1934-39

ROCHE, Denise Mary
A study of Calder's 'Circus' and its role in the development of his art

RODD, Farrell
The Shattered Mirror: exploring identity in the art of Breyton Breytenbach

RODGER, Robert
Carved headstones of 18th century Scotland

RODNER, Victoria
Marcel Duchamp's 'Given': the climax of an artists's work

ROGERS, Robert
Gustav Klimt's 'Beethoven Frieze'

ROMANOFF, Alexandra
Bards of the Future: the effects of Futurist literature on the artwork of Olga Rozanova 1910-1915

RONCONE, Natalie
Jackson Pollock: Humanising the void

ROONEY, Ann
Guy Bourdin: Fashion or art...

ROSS, Suzanne
The Presence of a Byzantine Revival in the Church of San Giovanni Crisostomo in Venice

ROUGH, William
James Pryde's 'Human Comedy'

RUNDELL, Kirsty
The Re-representation of Art and Life: Picasso's Constructions and Collages 1912-1914

RUSSELL, Crystal
Is Cuban art the product of the search for a national identity in the 20th century?

RUST, Susan E.
Craigevar: a fairytale castle of Leochel-Cushnie

RYAN, Nigel
Arthur Symons and the autonomous image

SALMON, Melanie
Nineteenth century physiognomy, art and anthropolgy

SANDERSON, Ruth J.
'Ulster art is the art of the topographical'. To what extent is this an accurate statement within the context of Northern Irish painting

SANDS, Ashley
Isabella d'Este as exceptional? A study of her artistic activities in light of those of other female patrons during the Renaissance

SANKEY-BARKER, Katharine
Art in Wales 1920-1960

SAUNDERS, Emily
Rural Modernity: tracing the origins and evolutionary development of Charles Peter Womersley's domestic-scale architecture

SAVOLAINEN, Jukka
Stefan Lindfors: the borders of art and design in Finland

SAYWELL, Edward
An Anaylysis of Leonardo da Vinci's Comparative Human and Leonine Physiognomical Drawings

SCHAAFSMA, Livia
The sculpture on the Albert Memorial in the context of the 1851 Great Exhibition and the British Empire

SCHIFFER, Alexander
From the 'Collective Unconscious' to 'Cosmic Consciousness': Surrealism and Gordon Onslow-Ford

SCHLICKE, Alex
Andy Goldsworthy: an artistic exploration of nature

SCHÖNHERR, Jördis Ann
Helmut Newton: a portrait of gender. Female objectification or homage to womanhood

SCHUBERTH, Tess
Antonello as landscape painter

SCHWEITZER, Jolanda Katharina
Seeing, Observing and Thinking: the significance of social identity and society's outcasts in the work of August Sander

SCOTT, Alison
Whistler and his Scottish world

SCOTT, Charlotte
Museums: Art institutions or landmarks?

SCOTT, Helen E.
'I am an apostle': Blasphemy and belief in the work of Kazimir Malevich

SCOTT, Sophie
Robert Rauschenberg: an investigation into interpretation

SCRUTON, David
John Lavery, the early career, 1880-1900

SCULLION, Diana Louise
Andy Warhol: death and disasters

SEATON, Joanna
Ideas and problems: the art of Rudolf Sikora

SEBAG-MONTEFIORE, Elizabeth
The Loyd Collection: four generations of a family as collectors

SEBAG-MONTEFIORE, Laura
The Bridgewater Collection: 1798 to the present day

SEISSINGER, Dorothee Anne
Maps of the Mind: spiritual travel in medieval and early modern cartography

SHAMJI, Nalya
Fragmented Life: Robert Rauschenberg's Photography

SHAW, Jennifer Helen
The Debut, Triumph and Finale of Russian Constructivist Theatre Design

SHAW, Joanne Emma
The depiction of Stalin in Russian art

SHAW, Philippa
An exploration of the relationship between the British and the Greek vase in the eighteenth and early nineteenth century

SHEA, Peter P.
Myth, Symbol and Sexual Imagery in the painting of Jan Cox 1919-1980

SHELLEY, Alexandra
Photographs as Literary Devices in the novels of E.M. Forster

SHELLEY, Noel H.J.
'Art can be a step or a stone'. A study of the land art and photography of Richard Long and Hamish Fulton

SHEPERDSON, Judith
E.W.Godwin, the painter's architect: with special reference to his earlier works

SHEPHERD, Rachael
Aspects of the home and art of Carl and Karin Larsson: the hide-and-seek aesthetic of Lilla Hyttnas

SHEPHERD, Rachel F. M.
War and its effect on the representation of the female in art: a study of Goya, Grosz and Howson

SHERIDAN, Janine F.
A study into the tradition of artist's portrayals of European picture galleries, from the seventeenth century to the nineteenth century

SHERRATT, Jill
Ove Arup and his collaboration with Bertold Lubetkin

SHEWAN, Philip
The role of Cezanne in Merleau-Ponty's theory of painting

SHIRLEY, Martin
Hilaire-Germaine Edgar Degas' monotype nudes

SILK, Tamsyn D.
Charles Rennie Mackintosh and the gesamtkunstwerk

SIM, Hannah Elizabeth
'Oh What a Lovely War': fashion photography and the austerity of World War II

SIMM, Kay
James Gillespie Graham at Duns, Berwickshire, 1816-1822: a study of compromises

SIMPSON, Bernice
Hogarth, Whistler and the aesthetic of 'True art'

SIMPSON, Chris
Social and architectural history of Cove and Kilcreggan

SIMPSON, Juliet
An analysis of the sources for Natalia Goncharova's theatre designs for 'Le Coq d'Or'

SIMPSON, Patricia
Robert Balfour: architect, St Andrews. 1771-1868

SINCLAIR, Catherine
'Art in Madness' and 'Art Extraordinary': Scottish collections of the 'art of the insane' and Art Brut

SINGER, Amanda
Ethics + Art = Aesthetics: concepts of philosophy, nature and society in the photographic practice of Frederick Sommer

SINGER, Jane
The dipiction of the Jewish Jesus in the art of Marc Chagall

SMALLWOOD, Giles
Romanesque sculpture in Kent: the persistence of a traditional style

SMART, Abigail
George Devey: innovator or traditionalist?

SMART, Harriet Hunter
A study of Joseph Pennel's illustrations for 'Gleanings from Venetian History'

SMITH, Christopher
Architecture without meaning at Ground Zero

SMITH, Norma
John William Small: his life and work

SMYTH, Timothy
A return to tradition in contemporary architecture

SNODGRASS, Karin M.
'A visionary in practice': Brauno Taut and his Wohnstadt Carl-Legien

SPENCE, Claire
The sculptural sources of the Sistine ceiling

SPENS, Cosmo
Victor Pasmore's Constructions: their Origins and developments within the Painter's Oeuvre

SPENS, Iona
The Moral Machine: prison architecture with special reference to Perth

SPONG, Claudine A.
Boyle family: Docklands series 1991

STATHAM-FLETCHER, Esther
John Collier (1850-1934)

STEELE, Veronica
William Adam's Dundee Town House

STENHOUSE, Catherine M.
The Mirror in Pre-Raphaelite Painting 1850-1880

STENNING, Emily
Michelengelo, the Pauline Epistles and the Virgin Mary

STEPHEN, Barbara
Art as a reflection of the community spirit in Glenrothes

STEVEN, Wendy
The Durham Cassiodorus

STEVENS, J.P.C.
Reframing Robert Motherwell

STEVENSON, William
Jessie M. King, woman artist of the early 20th century: an exponent of the Glasgow Style or a product of the Glasgow School of Art

STEWARD, Beverly
Guiding stars: William Morris, Sir Edward Burne-Jones and the Star of Bethlehem, 1906

STEWART, Clare Ross
William Burn's early houses in Scotland 1814-c.1830, with special reference to Blairquhan Castle, Ayrshire

STEWART, James Andrew
The history of Golf Club architecture in St Andrews

STEWART, Lydia
Edward Barnsley and his workshop

STIEBERT, Viki
Kathe Kollwitz and the German Expressionist: affinities and differences 1905-1923

STIRBL, Margarita
Real Goods Solar Living Center: A case for ecological art

STIRLING, Jane
Visual propaganda of the Spanish Civil War: why the Left and Right employed common symbols

STOKKE, Vibeke Favish
Norwegian Neobaroque: a definition

STOREY, Caroline M.
Toulouse Lautrec and portraiture

STRACHAN, Irene
Gustav Klimt: his synthetic development

STRITTO-SCHMIDT, Frédérique Dello
Gustave Serrurier-Bovy (1858-1910): evolution of his style through his major exhibitions and his house

STRKLJEVIC, Aida
The Relationship between art and music theory at the beginning of the twentieth centiry: the art of Wassily Kandinsky

STRUGNELL, James
'All religions are good': the influence of 'The Bhagavad Gita' and 'Tao Te Ching: Lao Tzo' upon the work of Herbert Whone

STRUPP, Joachim
The development of the Renaissance fountain in bronze and other metals in sixteenth century Nuremberg

SULIVAN, Francesca
Henry Emlyn: a craftsman-architect of the 18th century

SUTHERLAND, Jill
The prison in art: Newgate Gaol in the 1870s

SUTHERLAND, Laura
Alasdair Gray and the Tradition of Mural Art in Glasgow

SUTTON, Paddy
Irwin and the Neue Slowenische Kunst

SUTTON, Tania
Domenico Veneziano: the St Lucy Altarpiece, with special reference to its reconstruction

SWEETLAND, Sara
The Germ; a Victorian manifesto

SWINHOE, Stephanie
A comparative study between the work of Gustav Klimt and Mikhail Vrubel

SWINSON, Joanna
Towards wholeness: art and teaching at the Leith School of Art

SYKES,Diana
J.D.Fergussson, 1905-15: the role of France within his early work

TANKARD, Katharine
Theme and variation: the icongraphy of the 'Adoration of the Magi' in the 15th century

TATTERSALL, Briony L.F.
Sex and Sensibilities: shocking society in the Naughty Nineties

TATTERSALL, Rosalind L.
Momento Mori: Highgate Cemetary and the Beautiful Death

TAYLOR, Ashley
Symbolism in Coburn's Photographs before 1919: an analysis in relation to Coburn's Masonic interests

TAYLOR, Polly
The University of St Andrews' first purpose built halls of residence

TAYLOR,James M.S.
Henry Moore: the sea painter

TEPASSÉ, Camilla
Sex, dolls and the Nazis: a critical analysis of the work of Jake and Dinos Chapman

TETLOW, Laura
Antoni Gaudi and religion: ecclesiastical commissions

THOMAS, Beatrice C.
The art of George Dutch Davidson 1879-1901

THOMAS, Cicely Simone
The Unifying Forces of Destruction: the Surrealist photography of Raoul Ubac

WALSH, Daisy
Stanley Spencer at Burghclere: a war to paint

THOMPSON, Alexandra
'Not since Goya has anyone portrayed war like Philip Jones Griffiths' Henri Cartier-Bresson: a discussion of Vietnam Inc. by Philip Jones Griffiths

THOMPSON, Claudia R.
Milton Abbey, Dorset, c.1752-1800

THOMPSON, Elizabeth
Travel and leisure at the turn of the nineteenth century: a snapshot into the architect James Miller's railway station and hotel architecture

THOMPSON, Penny
Turner on perspective

THOMPSON, R.B.
The paintings of Lucy Sallick: post-feminist sensibility

THOMSON, Alexandra
A history of the artists's colony in Kirkcudbright, from Henry and Hornel to Jessie M. King

THOMSON, Andrew
The characteristics of the photographic image

THORBURN, Karen
Landscape and architecture: the Clerks of Penicuik, 1700-1770

THURSTANS, Harriet
An introduction to the stained glass of John Hardman and Co., 1860-1880

TILLING, Rachel
Form and function: 19th century farm architecture in the Lothians and Borders of Scotland

TITLEY, Siobhan
The Studio magazine, 1893-1914: a factor in British domestic architectureto the House of Gray

TOD, James
Richard Deacon: 'Meaning in Formalism'

TOMPKINSON, Jude
Art and illusion: Dux and Il Duce: the relationship between art and architectural propaganda in Augustan Rome and Fascist Italy

TONNER, Jane
R.S.Lorimer: the garden setting with particular reference to gardens in Fife

TRAINOR, Natasha
The essence of Poland visualised by Stanislaw Wyspianski

TRÉBUIL, Maï
'All beautiful things are made by those who strive to make something useful', Oscar Wilde. The Japanese impression on Edward William Godwin's designs

TREES, Sarah J.
Images of post-war Germany: a discussion of the photographs of Lee Miller and Yevgeny Khaldei

TRETHOWAN, Tessa
Ruskin's influence on Millais 1854-59

TRINKLER, Julie
The development of the halo: a study in early Florentine renaissance art

TSAI, Nora Chia-Jung
Surrealism and Marxism: A Theoretical Comparison

TSCHARNER VISCHER, J.H. de
Conceptual art, the modernist context and Peter Fuller's book'Beyond the Crisis in Art'

TUNMORE, Alice
Hepworth's Hospital Drawings: an analysis

TUNSTALL, Martyn
Ezra Pound: Art Criticism and Poetry 1908-1919

TURNER, Catherine
A study of Chagall's 'Homage to Apollinaire' and his French art 1910-14

TURNER, Nicola
Two leaders of architectural taste in early 18th century Scotland, Sir John Clerk of Penicuik (1676-1755) and William Adam (1689-1748): theory and practice

TUSON, Fiona
Michelangelo and the Female Figure

UNDERWOOD, Katherine
Samuel Palmer and John Linnel

URE, Fiona
Italianate forms in fourteenth century English manuscripts

URQUHART, Jacqueline W.L.
An analysis of the Scottish Commissions of Gillow and Lancaster

UZIELLI, Caroline
The Representation of the female figure in Impressionist Art: to what extent do these representations reproduce the accepted assumptions held by nineteenth century society about the role of women?

VAN den BERGH, Elizabeth
Manifestations of self: an analysis of the works by Dorothea Tanning

VANALLEN, Heidi
The representation of the feminine ideal in photography by women c.1890- 1940

VERE-NICOLL, Claire
The Sacred Sand Mandalas of Ladakh with specific reference to the Kalachakra Sand Mandala

VERE-NICOLL, Sara-Jane
'Beyond the Barriers': A critical examination of the medium of Ian Hamilton Finlay

VERNER, James
The Glasgow History Mural

VERSANDI, Alexis
Early Renaissance motifs on New York buildings

VESEY, Guy E.M.
Frank Brangwyn focused his Christ's Hospital murals around a concept of social interaction. How did he achieve this?

VINK, Natalie de
Realism and the imagination in the etched work of William Strang

VYKOUKAL, Monika
Writing Rules: Graffiti as Art and Activism

WADSWORTH, Karen
The art of royal death: the tombs of the French monarchy at Saint-Denis

WAKEFIELD, Alison Louise
'Everything comes from nature's great book': an analysis of Antoni Gaudi's 'La Sagrada Familiar, its conception, style and future construction

WALES, Sarah
18th Century Furniture in Leicestershire

WALKER, Amanda
Proust on Chardin

WALKER, Amanda
The Holcrofts Park development in St Andrews 1847-1890

WALKER, David William
The Glasgow Municipal Buildings Competitions, 1880-1882

WALKER, Hannah
The Erskine of Torrie Institute at Dunimarle Castle, Culross

WALKER, Kirsteen Mary
Illustrations for the 'Arabian Nights' 1792-1907

WALKER, Robert Menzies
Peter Halley and his interpretation of the social

WALKER, Sophie
Jefferson: 'the Dream of your Youth'

WALLACE, Carey
Thomas Pitt, 1st Lord of Camelford: Gentleman of Taste and Connoisseur of the Arts

WALLIS, Georgina Faye
The use of perspectives in seventeenth century Dutch architectural painting

WALPOLE, Roger Horatio Calibut
Contrasting the furniture and furniture making traditions in the two regions: the Kingdom of Fife and the Royal County of Norfolk

WALTER, Deborah
Sir Robert Lorimer: an analysis of his domestic architecture in Fife

WALTON, Sue
Whistler's Venetian etchings: his response to Ruskin's criticisms

WARD, Emma Louise
George Frederick Watt's 'Hall of Fame'

WARRENDER, Alice
How Joze Plecnik's inter-war architecture in Ljubljana established a national identity

WATSON, Antonia
Five 16th and 17th century cups from the University of St Andrews Collection

WEBBER, Clare
The development of Gustave Moreau from Symbolist to abstract artist

WELLARD, Matthew
Raphael before Rome: a study in the artist's use of colour

WELLS, Philippa
George Stubbs: the Turf Review Project

WEMYSS, Isabella
David, 2nd Earl of Wemyss as patron and industrial improver at Wemyss 1634-1679

WESTPHAL, Birte Cheyenne
Anselm Kiefer and the Myth of the German Identity

WHITE, Elizabeth
Wyndham Lewis's relationship with the Royal Academy: with specialreference to the rejected T.S.Eliot portrait, 1938

WHITE, Sandra J.
The stained glass of Sadie F. McLellan

WHITE, Vanessa
The Works of John Maxwell and William Gillies: an Assessment and Comparison

WHITEHEAD, Julia
Cezanne: an aesthetic at once personal and traditional

WHITLEY, E.P.
The Influence of Dante on Portrayals of Hell in Fourteenth Century Italian Art

WHITLOCK, Jennie
Will McLean's Cairns: a proud history stands proud in stone

WHYTE, Wendy
Nature in Russian Symbolism and Neoprimitivism

WIGGLESWORTH, Sadie
Helen Chadwick - Thought and Flesh: redefinitions of mind and body

WILBURN, Rae Yung
From Dialectics to Symbiosis: Robert Smithson and the Institutions of the Museum and the Gallery

WILCKEN, Annabel
Banksy's repertoire in relation to the Pop art paradigm and Stencil Activism

WILKINSON, Rosanna
Orpen: Blood on the Canvas. An analysis of Sir William Orpen's artistic reaction to the First World War and an assessment of the impact it had on his life and work

WILKS, Katherine
To what extent can Charlie Mackesy's paintings be accepted as authentic in the face of the 'End of Painting'?

WILLCOCK, Julia
William Stott of Oldham, 1857-1900

WILLIAMS, Louise
The Influence of Rembrandt on David Octavius Hill and Robert Adamson

WILLIAMSON, Emma
Some observations on the career of Paul Waterhouse, with particular reference to the Younger Graduation Hall, St Andrews (1923-1929)

WILLIAMSON, Lindsey M.
Dante Gabriel Rossetti's portraits of women, 1859-1869

WILSON, Anna
Uncovering history: the allure of Berlin; contemporary Scottish history painting

WILSON, Camilla R.E.
Sixteenth Century Costume and Fashion as depicted in Italian Female Portraiture

WILSON, Katherine
Humphry Repton: the first 'true' landscape gardener?

WINKELS, Valerie
'We did no go willingly, we went sadly': the represenatation of emigrants and emigration in Scottish art.

WINSTANLEY, Christine
Local Authority Housing in St Andrews 1919-1939

WINTER, Emily
Melton Constable Hall and its architectural context c.1680-1800

WOEHRLING, Lina
The legacy of recent German past in the work of Anselm Kiefer

WOJTALIK, Malgorzata A.
Russian art comes to the West: the 1900 Universal Exhibition in Paris

WONFOR, Vicki
Who puts the 'Nation' in the National Gallery? An investigation into the collection policy of the Scottish National Gallery of Modern Art

WOOD, Camilla
Vision of Voodoo: an account for the popularity of Voodoo subjects in Haitian naive art 1944-1991

WOOD, Thomas
Representing the future: the Leo Castelli Gallery and the art of the 1860s

WOODWARD, Geoff
The relationship between architecture and liturgy in the mediaeval monastery: a comparative investigation of English Benedictine, Cluniac and early Cistercian monastic design

WOOLF, Nicola Jane
A discussion of the UK Percent for Art Movement in the urban public realm

WOOLFORD, Malcolm
Peter Greenaway's ongoing experiment

WRIGHT, Caroline
Aspects of gender in Scottish Art Nouveau

WRIGHT, Edwina
An examination of the Robert Adam interiors at Newby Hall, North Yorkshire, 1767-c.1784

WRIGHT, Katherine Mary
Gillespie and Scott in St Andrews: The Inter-War Years 1919-1939

WRIGHT, Thomas C.W.
Influences in Rachel Whiteread's 'Embankment'

WYMAN, James
Post-war pioneers: Morris and Steedman, Private Houses 1952-1970

WYSE, Sarah V.
Durham Cathedral architecture as a visual symbol of the Norman Conquest upon England

YEOMANS, Lucy
The influence of music on Kupka's artistic development

YOUNG, Andrew
The development and interpretation of the works of William Scott

YOUNG, Jacqueline
Fragments, space and travel in the works of Jannis Kounellis

YOUNG, Sarah Camilla
Three sculptures at Balcarres, Fife

YUILL, Jennie
Peasant imagery in Malevich's late work

YUILLE, Laura-Ann
Sonia Delaunay, canvases and consumerism: a fruitful dialogue

ZEILINGER, Dana
A partial re-creation of the Psalter of Sigardus, a twelfth century manuscript

47

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