Journal of Art History
& Museum And Gallery Studies
Back Issues
Copies of back issues can be ordered free of charge, while stocks last. Contact: artjournal@st-andrews.ac.uk
Certain Articles from Volumes VII, VIII and IX are available on line. Please follow the links. Any inferno authors who wish to have their work similarly presented on-line, please contact the editors.
St Andrews Journal of Art History and Museum Studies (Volume XV)
Volume XV: 2011
Vernacular imagery on English misericords: Framing interpretation
Betsy L. Chunko
From the work of art to the title
Angelos Drakogiorgos
Volunteering and professionalisation in UK museums
Katherine Groninger
Attitudes and discourses in the historiography of Finnish medieval Rakentajamaalaukset paintings
Katja Fält
Icon image and strategies of presence: Early Siamese royal portraiture
Isabel Arbeláez Botero
Quai Branly museum and the aesthetic of otherness
Alexandra Martin
The cult and representation of the Archangel Raphael in sixteenth-century Venice
Joseph Hammond
Narratives of Nasir Khusraw: on the history of the built environment in early medieval cities on the edge
Peyvand Firouzeh
Volume XIV: 2010
Neal Beggs: The politics of the fall
Scott Gleeson
Mary Gartside: A female colour theorist in Georgian England
Alexandra Loske
Looking back: The transgression of social codes explored through the direct gaze in Fra Angelico's San Marco altarpiece when compared with Madonna and Child with Eight Saints
Darrelyn Gunzburg
Collaborative curation?: the Brooklyn Museum's Click!
La Tanya S. Autry
The rise of the photobook in the twenty-first century
Elizabeth Shannon
"Write them not": Illustrating divine concealment in Anglo-French apocalypses
Micah Erwin
Dana Claxton, The mustang suite and hybrid humour
Amber Berson
Job, Music and the Dead: A Visual Expression of the Relationship Between the Roles of Job in Medieval Devotion and Culture
Sarah Schell
A hundred years of Finnish sculpture: new perspectives on the early history of the Association of Finnish Sculptors
Mari Tossavainen
Inferno/St Andrews Journal of Art History and Museum Studies (Volume XIII) Contents XIII - I
Volume XIII: 2009
The Map as Political Agent:
Destabilising the North-South Model and
Redefining Identity in Twentieth-Century
Latin American Art
Nicole De Armendi
A New Addition to the Oeuvre of
Vincenzo Catena
Anik Waldeck
Crime or Creation?: Iconoclasm in the Name of Art
Helen E. Scott
Antiquity, Architecture and Country House Poetry:
Sir John Clerk and The Country Seat
Nicholas Uglow
The Sensual Banquet Scene: Sex and the Senses in Eighteenth Dynasty Theban Tomb Paintings
Chloe Kroeter
Through Japanese Eyes: The British Reception of Chinese Paintings
Michell, Ying-Ling Huang
Renewal in the New Hermitage: The Restoration of Leo von Klenze's Galleries in the State Hermitage Museum
Amy Erica Digout
Considerations on the Everyday as an Aesthetic Category
Abigail Susik
Huron-Wendat historical visual arts tradition: symbol of cultural continuity and autonomy in the past, source of inspiration in the present
Anne de Stecher
Perception and the Problem with
Preserving Modernist Architecture:
2 Columbus Circle
Lauren Vollono
Volume XII: 2007-8
Welcome to volume twelve of Inferno, an issue dedicated to two student conferences held at the School of Art History at the University of St Andrews in 2007.
This volume consists of a series of articles which illustrate the broad range of subjects discussed in the Association of Art Historians' Student Summer Symposium themed "Art and Power" and the post-graduate conference "Painting the Stage: Examining the interrelationship of painting and the performing arts. Theatricality and European Art c.1700 - c.2000".
Articles
Framing the Algerian Otherness: Horace Vernet's Prototypes
Melanie Vandenbrouck-przybylski
The Emergence of the Contemporary and the Disruption of the Frame: George Nuku's Te Whare Tupuna in the British Museum's Great Court
AmberLee
Santiago Sierra: HOMO SACER and the Politics of the Other
Heidi Kellett
The Spectacular Self: Jean-Etienne Liotard's Self-Portrait Laughing
Julianna M. Bark
The Structure of Shakespearian Revolutions: Witnessing a Paradigm Shift in Pre- Raphaelite and Theatrical Portrayals of Hamlet's Ophelia
Katie L. Steiner
Painting the stage - painting on stage. Performance meets the performing arts. Jonathan Meese's project for Wagner's Parsifal
Felicia Rappe
Volume XI 2006-7
Editorial and Contributors
Sex Ruins Everything: Hans Baldung Grien and the Erotic Fall of Man
Rachel L. Geschwind
From a Rhetoric to a Hermeneutics of Seeing: Heinrich von Kleist’s Review of
Caspar David Friedrich’s Monk by the Sea
Hannah Klemm
The Problem with “Retro”: Franz Pforr and Nazarene Art
Eszter Polonyi
A Place for Growth – GRAS and the Political Silkscreen Workshop
Anna Sandaker Glomm
A Critique of Writing as a Means of Power and Control: the Art of Pseudo-Writing
in Contemporary China by Wenda Gu and Xu Bing
Brianne Howard
The Year of the Visual Arts 96: Local Initiatives, National and Global Trends
Gabriel Gee
Colonial Architecture and Visual Art: A Case Study of the Exhibition, Sweet
and Sour Yeast, in Taiwan in 2001-2
Ming-Hui Chen
Volume X - 2005
Editorial and Contributors
Cartography
Recapturing the City: Popular Berlin City Maps and the Aesthetics of Orientation
in Late Nineteenth Century
Christina Schumacher
Adolphe Joanne’s 1870 Paris Illustré: (Re)Presenting “Modern” Paris
Kory Olson
Cartography & The Web
Historical Cities in the Net: Selecting and Analysing Internet ResourcesDr Marco Petrella and Dr Chiara Santini
Urban Representations, Memory and Identity
Town Views for Praying: The Ancient Way of Thinking by Means of Places
Giorgio Mangani
Gerrit Dou, Franciscus dele Boë Sylvius, and the Leiden Blauwepoort: Fashioning
Public Identities
Michelle V. Packer
Shifting Ground: The American Landscape in Transition
Zenobia R. Kozak
Representing Memory in Exile: Vieira da Silva’s City Landscapes 1929-1946
Maria Halkias
From the Regenerated Black Country to the Mystified New Forest: Richard Billingham's
Urbanscape and Landscape Photography
Outi Remes
Volume IX - 2004
Editorial and Contributors
Art
Subversive evidence regarding the birth of Neohellenic painting
Dr Denise-Chloe Alevizou <view
Article>
TheWall paintings of the chapel-mArtyrium Motsameta in the rock-cut monastery
complex of Udabno David-Gareji
Dr Tinatin Khoshtaria <view
Article>
Architecture & Decorative Arts
Ship Representations on Late Helladic III C Pictorial Pottery
Vassilis P.Petrakis <view
Article>
The Cathedral of St.Alexander Nevski in Sofia
Gloria Leandro <view
Article>
SS Peter and Paul Church (Sinan Pasha Mosque), Famagusta: A Forgotten Gothic
Monument in Northern Cyprus
Dr Michael Walsh <view
Article>
Museums & Conservation
Curating the Invisible: Contemporary ArtPractices and the Production of Meaning
in Eastern Europe
MarkoStamenkovic <view
Article>
Volume VIII - Autumn 2003
Editorial and Contributors
Art
Writer's Block: Reading into Late Soviet Experience through Lativan Artist's
Books
Mark Allan Svede <view
Article>
Karin Luts: An Artist andHer Time
Tiiu Talvistu <view
Article>
Jüri Okas' 'specific objects': Diverging Discourses in Estonian Art in the
Seventies
Andres Kurg <view
Article>
Photography & Decorative Arts
Symbols of Growth: TheDecoration of Swedish schools
Rachael Shepherd <view
Article>
Asger Jorn and then Photographic Essay on Scandinavain Vandalism
Niels Henriksen <view
Article>
Museums & Conservation
'If You Build It, They WillCome': Europos Parkas
Inga Untiks <view
Article>
Volume VII - Spring 2003
Editorial and Contributors
Art
Light as the Source in Polish Geometrical Art
Paulina Sztabińska
Body and Space: Discovering the compositions of Paul Burman
Kristi Burman <view
Article>
Tamara de Lempicka 1898-1980
Kim Hodge <view
Article>
The Idea of Sacrum in Polish Art of the 1980s
Agnieszka Gralińska-Toborek <view
Article>
Sculpture & Decorative Arts
Public Sculpture and the Hungarian Revolution of 1956
Reuben Fowkes
The Embroidered Diplomacy: The Symbolism of Banners used in theInauguration
Ceremony of the Illirian-Rascian Regiment in 1735
Jelena Todorovic <view
Article>
Museums & Conservation
Art in Revolution
Victoria Kirkman
Volume VI - Summer 2002
Editorial and Contributors
Art
Performing Theory - The Queer Contingent in Art History
Alex Kennedy
Facing the Occupation of France and the 'Humanism' of the French ArtEstablishment
in the 1940's: Jean Dubuffet and Art Brut
Caroline Perret
Architecture
John Thomson: Like Father Like Son?
Suzanne Mireylees
Glasgow Architects in Montreal 1880-1910: A Re-appraisal of theMother-Child
Relationship of the British Empire
Holly Kinnear
Museums & Conservation
Creation or Destruction: The Conservation of the Sistine Chapel Ceiling
Joana Q. Mantas
Volume V - 1998-99
Editorial
Republican Virtue v. Despotic Vice: The Altarpiece of St John the Baptist by
Giovanni del Biondo
Yi-Pei-Chen
The Decoration of the Palazzo dei Camerlenghi in Venice
Philip Cottrell
The Image of the Apple in Dante Gabriel Rossetti's Venus Verticordia
Joanna Meacock
Victorian Manuals of Household Taste
Ailsa Boyd
'La fée lumineuse' and the Queen of Fairy Tales: the ArtisticCollaboration
of Loie Fuller and Queen Marie of Romania
Shona Lowe
Maurice Lambert's Portrait of Edith Sitwell
Jon Blackwood
Book Reviews
Art History at St Andrews
Back issues
List of Contributors
Volume IV - 1997
Editorial
'Save me from the mouth of the Lion': The Use of the Hellmouth inRomanesque
Initials
Jennifer A. Thompson
Bonifacio Veronese and the Young Tintoretto
Philip Cottrell
Ornamented Dwellings: Studies in Scottish Painted Decoration circa1570-1640
Elizabeth Bracegirdle
John Philip and the Evil Eye
Ana Monteiro Millum
Adventures of a New Dialectic: Phenomenology and the Origins of RobertMorris's
Minimalist Objects
Sandra Alexander
Decline of the English Avant-Garde
Neil Mulholland
The Art of Peter Greenaway: 'Painterly Cinema' as and Alternative to theIllustrated
Text
Duncan Comrie
Book Reviews
List of Contributors
Art History at St Andrews
Volume III - 1996
Editorial
'The Hidden Treasure Beneath the Letter': Symbolic Heads in the Initialsof
the Entangled Figure Master
Jennifer A. Thompson
Reassessing the Work of Giovanni d'Alemagna
Ian Holgate
Cardinal BArtolomeo Roverella and San Clemente, Rome
Carol M. Richardson
Alexander Edward: The Education of an Architect
John Lowrey
Engraving and Photography in Nineteenth Century Scotland: Thomas Annan'sPosition
in the Debate over the 'Art' of Photography
Maranne McDade
Strathspey and Reel: Photography and the Cairngorms
Robert A. Lambert
Book Reviews
List of Contributors
The School of Art History
Volume II - 1995
Editorial
'Opus Anglicanum': Copes as Liturgical Showpieces
Dr Christine Linnell
Quiet, Silence and Solitude: The Carthusian Order, the Certosa of Florence and
Jacopo Pontormo's Passion Cycle
Julia A. Delancey
From the Statue Court to the Statue Gallery: Placing the CesiAntiquarium in
a Historical Context
Cara Brandi
David MArtin, (1737-1797), Portrait Painter Revealed
Lucy Dixon
George Sandeman: An Eighteenth-Century Wright from Perth
L.W.S. Petznick
Neo-Classical Avant Garde L'vov's Cathedral of St Joseph, Mogilev, Bellorussia
Alexei V. Makhrov
Recording Scotland: the Art Collections of St Andrews
Claire Payne
'A Lie Which Is In PArt Truth': A Discussion on the Media and Photographic Integrity
Bruce F. Pert
Book Reviews
Art History at St Andrews
Volume I - 1994
Editorial
The Book of Kells: A New Look at and Old Manuscript
Heather Pulliam
The Lesser of Two Evils: Pope Pius II, International Diplomacy and theCollege
of Cardinals
Carol M. Richardson
A Recently Discovered Account for Plasterwork at Arniston House,Midlothian
Patricia Wigston
Imprisoned Princesses: Princess Tarakanova and the Regent Tsarevna Sof'ya
Marianne McLeod Gilchrist
'A Sagacious Policy': The Artist and the Press in the Victorian ArtWorld
Patricia De Montfort
'Le Coq D'Or': Folk Traditions and the Making of High Culture
Cheryl A. Kramer
'…And there was nothing wrong with Utility Furniture': Furniture History
and Oral History
Stephen Jackson
Marcel Broodhaers -' Case Study: 'La Tour Visuelle'
Deborah Schultz
Sound Advice: A Changing Role for Music Museums in the Age of the ThreeTenors
Joanna Archibald
Art History at St Andrews -' A Profile for 1994