Journal of Art History
& Museum And Gallery Studies

The University of St Andrews Postgraduate Journal of Art History and Museum Studies is an annual publication that prints original and innovative research by current postgraduate students from the UK and abroad.

Open Call for Papers 2009

We invite papers from the disciplines of Art History and Museum Studies on any topic from all periods and geographic areas.

Please submit articles 1,500 - 4,000 words in length, written in English, for the 2009 publication.

submission closing date: 14 February 2009

Please follow the journal style sheet when writing your article.

Attach submissions via email as a Word document:
inferno@st-andrews.ac.uk

Please refer to the journal style sheet for information about submitting images.

or send to:
Kate Groninger
Editor
School of Art History
University of St Andrews
9 The Scores
St Andrews KY16 9AR
United Kingdom

Enquiries for further information:
inferno@st-andrews.ac.uk

Current Issue

Volume XII: 2007-8

Welcome to volume twelve of Inferno, an issue dedicated to two student conferences held at the School of Art History at the University of St Andrews in 2007.

This volume consists of a series of articles which illustrate the broad range of subjects discussed in the Association of Art Historians' Student Summer Symposium themed "Art and Power" and the post-graduate conference "Painting the Stage: Examining the interrelationship of painting and the performing arts. Theatricality and European Art c.1700 - c.2000".

Articles

Framing the Algerian Otherness: Horace Vernet's Prototypes
Melanie Vandenbrouck-przybylski

The Emergence of the Contemporary and the Disruption of the Frame: George Nuku's Te Whare Tupuna in the British Museum's Great Court
AmberLee

The Monument in Conjunction with its Archive: Historical Narrative and the Dialectics of Experience in a Michael Sandie Archive Exhibition
Eve Kalyva

Santiago Sierra: HOMO SACER and the Politics of the Other
Heidi Kellett

The Spectacular Self: Jean-Etienne Liotard's Self-Portrait Laughing
Julianna M. Bark

The Structure of Shakespearian Revolutions: Witnessing a Paradigm Shift in Pre- Raphaelite and Theatrical Portrayals of Hamlet's Ophelia
Katie L. Steiner

Painters as Designers on the Greek Stage from the inter-war era
to the 1950s: A quest for modernisation or nationalisation of local theatre aesthetics?
Ilia Lakidou

Painting the stage - painting on stage. Performance meets the performing arts. Jonathan Meese's project for Wagner's Parsifal
Felicia Rappe

For contents of previous issues, please view our back issues page.